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    <title>Culture</title>
    <description></description>
    <link>http://www.portlandmonthlymag.com/culture</link>
    <item>
      <title>The Lost City of Portlandis</title>
      <description>&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:26809,&amp;quot;width&amp;quot;:&amp;quot;878&amp;quot;,&amp;quot;height&amp;quot;:&amp;quot;1200&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;640&amp;quot;}" data-image-id="26809" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/4/image/26809/0513-lost-city-of-portlandis.gif"&gt; &lt;img src="http://www.portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F4%2Fimage%2F26809%2F0513-lost-city-of-portlandis.gif&amp;amp;cropify=878x1200%2B0%2B0&amp;amp;resize=640x%3E" alt="Lost city of Portlandis" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/lukas-ketner"&gt;Lukas Ketner&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;</description>
      <pubDate>Wed, 01 May 2013 09:29:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/the-lost-city-of-portlandis-may-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/the-lost-city-of-portlandis-may-2013</guid>
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    <item>
      <title>PDX Index: Cinco de Mayo</title>
      <description>&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:26812,&amp;quot;width&amp;quot;:&amp;quot;1076&amp;quot;,&amp;quot;height&amp;quot;:&amp;quot;1440&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;640&amp;quot;}" data-image-id="26812" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/4/image/26812/0513-pdx-index-latinos-in-oregon.gif"&gt; &lt;img src="http://www.portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F4%2Fimage%2F26812%2F0513-pdx-index-latinos-in-oregon.gif&amp;amp;cropify=1076x1440%2B0%2B0&amp;amp;resize=640x%3E" alt="Latinos in Oregon infographic" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/nomad"&gt;Nomad&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;</description>
      <pubDate>Wed, 01 May 2013 09:28:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/pdx-index-cinco-de-mayo-may-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/pdx-index-cinco-de-mayo-may-2013</guid>
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    <item>
      <title>Video Stars</title>
      <description>&lt;p class="bigbold"&gt;&lt;strong&gt;Eluvium, &amp;ldquo;The Motion Makes Me Last&amp;rdquo;&amp;nbsp;&lt;/strong&gt;&lt;em&gt;(directed by Matt McCormick)&lt;/em&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;em&gt;&lt;/em&gt;&amp;ldquo;A seemingly effortlessly beautiful and almost transcendental meditation on the look and feel of our fair city.&amp;rdquo;&lt;/p&gt;
&lt;iframe src="http://player.vimeo.com/video/9359013?portrait=0" frameborder="0" width="640" height="360"&gt;&lt;/iframe&gt;
&lt;p class="p1"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="bigbold"&gt;&lt;strong&gt;Onuinu, &amp;ldquo;Happy Home&amp;rdquo;&lt;/strong&gt;&lt;em&gt;&amp;nbsp;(directed by Andrew Sloan)&lt;/em&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;em&gt;&lt;/em&gt;&amp;ldquo;A perfect visual representation of the artist&amp;rsquo;s desire to break down lines between genres.&amp;rdquo; (Specifically hip-hop, dance, and electronica.)&lt;/p&gt;
&lt;iframe src="http://www.youtube.com/embed/HO2z8iCLRAs?rel=0" frameborder="0" width="640" height="360"&gt;&lt;/iframe&gt;
&lt;p class="p1"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="bigbold"&gt;&lt;strong&gt;And And And, &amp;ldquo;I Want More Alcohol&amp;rdquo;&amp;nbsp;&lt;/strong&gt;&lt;em&gt;(directed by Kyle Glenn)&lt;/em&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;em&gt;&lt;/em&gt;&amp;ldquo;This looks like it cost five dollars to make, but was also lavished with love. A video doesn&amp;rsquo;t need flashy production to be compelling.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;&lt;iframe src="http://player.vimeo.com/video/36876872?portrait=0" frameborder="0" width="640" height="360"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;p class="gray-box-shadow"&gt;&lt;span class="s1"&gt;&lt;em&gt;The &lt;/em&gt;&lt;/span&gt;&lt;span class="s2"&gt;&lt;strong&gt;&lt;em&gt;&lt;a title="Portland Music Video Festival" href="http://www.portlandmusicvideofestival.com/"&gt;Portland Music Video Festival&lt;/a&gt;&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span class="s1"&gt;&lt;em&gt;takes place &lt;/em&gt;&lt;/span&gt;&lt;span class="s2"&gt;&lt;strong&gt;&lt;em&gt;May 30&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span class="s1"&gt;&lt;em&gt; at the &lt;/em&gt;&lt;/span&gt;&lt;span class="s2"&gt;&lt;strong&gt;&lt;em&gt;Hollywood Theatre&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;</description>
      <pubDate>Fri, 12 Apr 2013 21:10:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/video-stars-may-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/video-stars-may-2013</guid>
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      <title>How Portland Center Stage ages its Clybourne Park stage 50 years</title>
      <description>&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:25781,&amp;quot;width&amp;quot;:&amp;quot;800&amp;quot;,&amp;quot;height&amp;quot;:&amp;quot;579&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;640&amp;quot;}" data-image-id="25781" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/3/image/25781/0413-clybourne-park-stage.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F3%2Fimage%2F25781%2F0413-clybourne-park-stage.jpg&amp;amp;cropify=800x579%2B0%2B0&amp;amp;resize=640x%3E" alt="" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/nomad"&gt;Nomad&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p class="p1"&gt;&lt;span class="boldcaps"&gt;Playwright Bruce Norris&lt;/span&gt;&amp;rsquo;s Pulitzer- and Tony-winning &lt;em&gt;Clybourne Park&lt;/em&gt; may have first been set in Chicago, but the satirical look at race relations and gentrification takes on different looks as it travels. Inspired by Lorraine Hansberry&amp;rsquo;s play &lt;em&gt;A Raisin in the Sun&lt;/em&gt;, Norris&amp;rsquo;s work tells interlocking tales of a &amp;ldquo;changing&amp;rdquo; neighborhood in two acts, each in the same house, the first set in 1959 and the second in 2009. Theater pros in different cities&amp;mdash;the play has been produced in London, LA, Philadelphia, and San Francisco, as well as its original Broadway run&amp;mdash;must figure out how to turn a &amp;rsquo;50s living room into 21st-century dilapidation while resonating with their audiences.&lt;/p&gt;
&lt;p class="p2"&gt;For Portland Center Stage&amp;rsquo;s &lt;em&gt;Clybourne Park&lt;/em&gt;, designer Michael Olich relies on inventive construction and intricate planning to transform the set during the play&amp;rsquo;s 15-minute intermission. When the curtain goes up for act 2, his set must communicate what&amp;rsquo;s happened to the neighborhood over five decades. &amp;ldquo;Everything that Norris didn&amp;rsquo;t write, I had to &amp;lsquo;write,&amp;rsquo;&amp;rdquo; Olich says. The set&amp;rsquo;s details&amp;mdash;and, in some cases, their disappearance&amp;mdash;tell the story:&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="red-bkgd"&gt;1&lt;/span&gt; &lt;span class="boldcaps"&gt;The look&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;While they say they&amp;rsquo;re not &amp;ldquo;Portlandizing&amp;rdquo; the play, Olich and director Chris Coleman nod to the bungalow architecture prominent in our inner-east-side neighborhoods. Olich describes his set as &amp;ldquo;blue-collar Craftsman,&amp;rdquo; typified by simple woodwork and a lack of ornamentation.&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="red-bkgd"&gt;2&lt;/span&gt; &lt;span class="boldcaps"&gt;Dining design&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;Dining rooms during the time of act 1 often had coffered ceilings with smaller windows. During the &amp;rsquo;70s and &amp;rsquo;80s, acoustical ceiling elements were installed and larger windows were the norm, changes reflected in the dining room in act 2.&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="red-bkgd"&gt;3&lt;/span&gt; &lt;span class="boldcaps"&gt;Detachable parts&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;To make this change possible, Olich&amp;rsquo;s crew built an entire second dining room. During intermission, act 1&amp;rsquo;s room is wheeled out on a wagon and replaced.&amp;nbsp;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="red-bkgd"&gt;4&lt;/span&gt; &amp;nbsp;&lt;span class="boldcaps"&gt;Wainscoting &amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;In the &amp;rsquo;50s, people had just started pulling off and painting over wainscoting. By the time of act 2, most of the original wainscoting is gone, but the painting remains unfinished.&amp;nbsp;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="red-bkgd"&gt;5&lt;/span&gt; &lt;span class="boldcaps"&gt;Wallpaper&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;The act 2 set reveals peeled-back wallpaper from not only the &amp;rsquo;50s but the &amp;rsquo;70s and &amp;rsquo;80s. Olich used real wallpaper samples from the relevant periods.&amp;nbsp;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="red-bkgd"&gt;6&lt;/span&gt; &lt;span class="boldcaps"&gt;The mantel&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;The act 1 mantelpiece is a wood jacket that, when removed during intermission, reveals cracked plaster and paint.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
      <pubDate>Fri, 22 Mar 2013 11:56:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/how-portland-center-stage-ages-its-clybourne-park-stage-50-years-march-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/how-portland-center-stage-ages-its-clybourne-park-stage-50-years-march-2013</guid>
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      <title>Can Portland's New Superstars Save Women's Soccer?</title>
      <description>&lt;div class="inline-image-left inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:25725,&amp;quot;width&amp;quot;:1000,&amp;quot;height&amp;quot;:700,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;320&amp;quot;}" data-image-id="25725" data-include-caption="true" data-layout="inline-image-left"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/3/image/25725/413-thorns-soccer-portland.gif"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F3%2Fimage%2F25725%2F413-thorns-soccer-portland.gif&amp;amp;cropify=1000x700%2B0%2B0&amp;amp;resize=320x%3E" alt="Portland Thorns Women's pro soccer" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 320px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/alex-morgan"&gt;Alex Morgan&lt;/a&gt;, &lt;a class="attribution-link" href="/producers/courtesy-daniel-roland-afp-getty-images"&gt;Courtesy Daniel Roland/AFP/Getty Images&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p class="p1"&gt;&lt;span class="boldcaps"&gt;Her teammates&lt;/span&gt; call her Baby Horse. Alex Morgan, star for the US women&amp;rsquo;s soccer team, runs with a coltish gallop. Any awkwardness disappears, however, in front of the goal, where Morgan is one of the game&amp;rsquo;s most lethal strikers.&lt;/p&gt;
&lt;p class="p3"&gt;The charismatic 23-year-old Californian has become other things, too: a Katy Perry impersonator for &lt;em&gt;ESPN The Magazine&lt;/em&gt;, Olympic gold medalist, tweeter to a million followers. Her next role arguably includes saving her sport&amp;rsquo;s professional future as linchpin of the Portland Thorns. When this new team takes the field on April 21 in the equally new National Women&amp;rsquo;s Soccer League, insta-rivals Seattle Reign better watch out for Baby Horse.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&amp;ldquo;Losing one game,&amp;rdquo; Morgan said in a recent interview, &amp;ldquo;feels worse to me than winning five games feels good.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Women&amp;rsquo;s soccer itself needs that uncompromising passion right now. Since the 1999 World Cup made cultural icons of Mia Hamm and Brandi Chastain, two national pro leagues have crashed and burned. When Women&amp;rsquo;s Professional Soccer collapsed last year, team owners complained of seven-figure annual losses. &amp;ldquo;This is probably the last opportunity for women&amp;rsquo;s pro soccer to survive,&amp;rdquo; says coach Cindy Parlow Cone, a fierce 34-year-old who left an assistant position at the University of North Carolina to lead the Thorns. &amp;ldquo;I wanted to be part of it.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Despite the gloomy history, Portland Timbers owner Merritt Paulson is betting that the Thorns can capture at least some of the frenzied passion that has turned his (male) Major League Soccer team&amp;rsquo;s matches into a hot ticket. His formative roster certainly looks good on paper. Besides Morgan, the Thorns also boast former University of Portland (and perennial Team Canada) star Christine Sinclair, a fiery striker who chops defenses to pieces. Together, Morgan and Sinclair should display some of the most formidable women&amp;rsquo;s soccer firepower ever assembled.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;And that raises the key question: will talent be enough?&lt;/p&gt;
&lt;p class="p2"&gt;On January 29, 2012, Morgan and the rest of Team USA partied in a Vancouver, British Columbia, hotel bar after winning an Olympic qualifying tournament. Players sipped beers and belted out a half-decent, celebratory rendition of &amp;ldquo;Proud Mary.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;The next morning, WPS folded. The players, most suddenly unemployed, solemnly packed bags and called cabs.&lt;/p&gt;
&lt;p class="p3"&gt;The US Soccer Federation, the game&amp;rsquo;s organizing body in this country, led the rescue operation. Financial hubris and high overhead had doomed the first two women&amp;rsquo;s leagues. This time, the USSF allied with Mexico and Canada on a new concept: the nascent league will draw its most elite talent from the three countries&amp;rsquo; national teams; the soccer federations of the US, Mexico, and Canada will pay those players. Local owners will pay everyone else under a relatively tame salary cap of about $500,000 per 20-player team. The league itself will operate with a skeletal staff.&lt;/p&gt;
&lt;p class="p3"&gt;This was enough to convince Paulson, who spent over $30 million on the Timbers&amp;rsquo; Major League Soccer franchise fee, to take a much cheaper risk. &amp;ldquo;When it became clear that US Soccer would pay some player salaries, it changed the model,&amp;rdquo; Paulson says. &amp;ldquo;Plus, we&amp;rsquo;re sitting in the best market in the country.&amp;rdquo; Paulson and the team decline to reveal start-up costs for the women&amp;rsquo;s team, but one knowledgeable national industry insider estimates the Thorns&amp;rsquo; launch will cost a few hundred thousand dollars.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Paulson says he doesn&amp;rsquo;t expect immediate profits, but adds that supporting the women&amp;rsquo;s game &amp;ldquo;is the right thing to do.&amp;rdquo; (No other MLS owner invested in the new league.) By mid-February, fans had reserved 5,000 season tickets&amp;mdash;far more than any team in either failed league ever sold.&amp;nbsp;(While fans have held meetings to prepare for the Thorns&amp;rsquo; arrival, supporters will likely &amp;ldquo;brand&amp;rdquo; themselves separately from the famed Timbers Army.)&amp;nbsp;&lt;/p&gt;
&lt;blockquote class="blockquote-left"&gt;&lt;span class="s1"&gt;&lt;strong&gt;&amp;ldquo;She&amp;rsquo;s the complete player. She&amp;rsquo;s fast. She&amp;rsquo;s good in the air. She can finish.&amp;rdquo;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span class="s2"&gt;&lt;strong&gt;&amp;mdash;Alex Morgan, on teammate Christine Sinclair&lt;/strong&gt;&lt;/span&gt;&lt;/blockquote&gt;
&lt;p class="p3"&gt;The huge crowds that watch the US national squad have never translated into strong followings for local teams. Peter Wilt, a renowned soccer executive who launched both the Chicago Fire of MLS and the Chicago Red Stars of WPS, warns that while local enthusiasm gives Paulson an advantage, the Thorns need to catch on fast. &amp;ldquo;In Portland, which will have a built-in audience right away, fans need to feel the team is theirs,&amp;rdquo; Wilt says. &amp;ldquo;Emotional connections need to be created quickly. Otherwise, it could be one and done.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;On that note, the Thorns will probably be fun to watch. Defender Rachel Buehler is known as the &amp;ldquo;Buehldozer.&amp;rdquo; Midfielder Tobin Heath passes with the casual ease of a blackjack dealer flipping cards. Karina LeBlanc, a mohawked Canadian goalkeeper with a peppery personality, will protect the net.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;The league&amp;rsquo;s future remains to be seen. In the short term, some say the Thorns could do what no Portland professional team has since 1977.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;When you look at the roster,&amp;rdquo; ESPN soccer journalist Beau Dure says, &amp;ldquo;it&amp;rsquo;s easy to say, &amp;lsquo;That&amp;rsquo;s your championship team right there.&amp;rsquo;&amp;rdquo;&lt;/p&gt;</description>
      <pubDate>Fri, 22 Mar 2013 08:00:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/can-portlands-new-superstars-save-womens-soccer-march-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/can-portlands-new-superstars-save-womens-soccer-march-2013</guid>
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      <title>The Accidental Story of "Louie Louie"</title>
      <description>&lt;div class="inline-image-left inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:25753,&amp;quot;width&amp;quot;:&amp;quot;757&amp;quot;,&amp;quot;height&amp;quot;:&amp;quot;927&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;270&amp;quot;}" data-image-id="25753" data-include-caption="true" data-layout="inline-image-left"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/3/image/25753/0413-the-kingsmen.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F3%2Fimage%2F25753%2F0413-the-kingsmen.jpg&amp;amp;cropify=757x927%2B0%2B0&amp;amp;resize=270x%3E" alt="The Kingsmen" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 270px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/courtesy-oregon-historical-society-image-bb003114"&gt;Courtesy Oregon Historical Society, Image #Bb003114&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;span class="bigbold"&gt;Where:&lt;/span&gt; Northwestern Inc Motion Pictures and Recording, SW 12th Avenue and Burnside Street &lt;span class="bigbold"&gt;When:&lt;/span&gt; April 6, 1963 (50 years ago)&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="boldcaps"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="boldcaps"&gt;Jack Ely, lead singer, The Kingsmen:&lt;/span&gt; &amp;ldquo;Louie Louie&amp;rdquo; was making the rounds in the Northwest. It started out as a Jamaican dirge. The Wailers recorded a soul version up in Seattle, which is what I heard. Paul Revere and the Raiders recorded it in Portland the week after we did it. But when I taught the song&amp;rsquo;s intro to our band, we were in a hurry, so ours ended up sounding like hard rock. It was a mistake, but that&amp;rsquo;s what happened.&lt;/p&gt;
&lt;p class="p2"&gt;The session was 10 o&amp;rsquo;clock in the morning. We set up in a circle, and played live. I yelled straight up into a microphone hanging down from the ceiling. Before we played, we could see an argument in the booth. We found out later the studio owner was telling the producer, &amp;ldquo;You can&amp;rsquo;t put the levels that high&amp;mdash;you&amp;rsquo;ll blow up my board.&amp;rdquo; The producer sent the guy out for coffee and locked the door behind him.&lt;/p&gt;
&lt;p class="p2"&gt;Then he told us to run through it. About 10 or 12 bars into the song he stops us and says, &amp;ldquo;OK, that sounds pretty good. Let&amp;rsquo;s just run through it from the top.&amp;rdquo;&lt;/p&gt;
&lt;p class="p2"&gt;We thought we were just rehearsing. But when we finished, he said, &amp;ldquo;Great! Wonderful! What do you want to put on the B side? Make it something you wrote. You&amp;rsquo;ll make more money.&amp;rdquo; We didn&amp;rsquo;t have any real songs, but we&amp;rsquo;d been messing around with one chord progression, so we recorded that and called it &amp;ldquo;Haunted Castle.&amp;rdquo; The whole session lasted about 45 minutes.&lt;/p&gt;
&lt;blockquote class="blockquote-right"&gt;
&lt;p class="p1"&gt;&lt;span class="s1"&gt;&lt;strong&gt;&amp;ldquo;We all hated &amp;lsquo;Louie Louie.&amp;rsquo; We thought it was horrible.&amp;rdquo;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;span class="s2"&gt;&lt;strong&gt;&amp;mdash;Jack Ely (middle)&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family: Times; font-size: 15px; line-height: 20px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p class="p2"&gt;We all hated &amp;ldquo;Louie Louie.&amp;rdquo; We thought it was horrible: mushy, with more low end than anything we&amp;rsquo;d ever heard. The vocals were a complete mess. The producer kept telling us that all made it great, and we thought, well, OK. It&amp;rsquo;s done.&lt;/p&gt;
&lt;p class="p2"&gt;We pressed 1,000 copies. The five of us got 20 each to pass out at school&amp;mdash;I was going to Portland State, one guy was at Lewis &amp;amp; Clark, one guy was still at Cleveland High. The rest went into distribution, and nothing happened for months. That fall, a DJ in Boston was doing one of those shows where people call in to say thumbs-up or thumbs-down on a song. He said something like, &amp;ldquo;I know you&amp;rsquo;re going to hate this one, because it&amp;rsquo;s the worst record I&amp;rsquo;ve ever heard.&amp;rdquo; Much to his chagrin, the switchboard lit up with people wanting to know where they could buy it.&lt;/p&gt;
&lt;p class="p2"&gt;The record sold 12 million copies. And for some reason, of all the recordings of the &amp;rsquo;60s, it&amp;rsquo;s one of the few that&amp;rsquo;s never disappeared.&amp;nbsp;&lt;/p&gt;</description>
      <pubDate>Fri, 22 Mar 2013 08:00:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/the-accidental-story-of-louie-louie-march-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/the-accidental-story-of-louie-louie-march-2013</guid>
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      <title>The Perfect Party April 2013</title>
      <description>&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:25726,&amp;quot;width&amp;quot;:700,&amp;quot;height&amp;quot;:127,&amp;quot;top&amp;quot;:&amp;quot;127&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;676&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;640&amp;quot;}" data-image-id="25726" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/3/image/25726/0413-perfect-party.gif"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F3%2Fimage%2F25726%2F0413-perfect-party.gif&amp;amp;cropify=700x127%2B676%2B127&amp;amp;resize=640x%3E" alt="Portland Monthly Perfect Party April 2013" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/nomad"&gt;Nomad&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p class="p1"&gt;&lt;strong&gt;THOMAS LAUDERDALE &amp;amp; THE NUGE &lt;/strong&gt;For twin toastmasters, we take our cue from the State of the Union. Lauderdale, leader of dapper Portland retro-popsters Pink Martini, sat next to Ted Nugent, hard-rock gun nut, during Obama&amp;rsquo;s big speech. Thomas, you reported that you and Mr. Wang Dang Doodle had a nice chat. Can you crack the ice again as we dine on some of Ted&amp;rsquo;s signature big game?&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;strong&gt;ALEXANDER SAMPLE&lt;/strong&gt; Before we dig in, let&amp;rsquo;s hear a few words from Portland&amp;rsquo;s new Catholic archbishop. The Montana native comes here from a post in Michigan&amp;rsquo;s Upper Peninsula with over 3,000 Twitter followers and positive buzz among doctrinal conservatives. Welcome to Portland, Archbishop: please get things off to a feel-good start with a nonsectarian, Wicca-friendly blessing.&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;strong&gt;MELODY ROSE&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;Sample isn&amp;rsquo;t the only person inheriting tough duty. Rose steps in as Oregon&amp;rsquo;s first female universities chancellor after the state higher-ed board effec-tively ousted George Pernsteiner. Rumors are our schools-rattling guv may eliminate your new job, Melody dear. May we mix you a mimosa and give you Susan Castillo&amp;rsquo;s number?&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;strong&gt;ISAIAH JOEL SCHWEBKE&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;Sadly, we&amp;rsquo;ll have to toast Mr. Schwebke in absentia (or get him on Skype). The prolific vandal, who cops say started tagging stuff back in &amp;rsquo;96, squiggled his way across the country before a Multnomah County probation violation landed him a one-year prison hitch. Sorry you can&amp;rsquo;t join us, Isaiah. We so hoped you&amp;rsquo;d tag our guestbook.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;strong&gt;ENGLISH GARDNER&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;We&amp;rsquo;ll prep some lean proteins and complex carbs for this U of O sprinter, who spearheaded the Ducks&amp;rsquo; quest for indoor track glory with a win at NYC&amp;rsquo;s prestigious Millrose Games. English, you just zipped 60 meters in seven seconds. Can we put you opposite Ted Nugent so you can show him what &amp;ldquo;fast draw&amp;rdquo; really means?&amp;nbsp;&lt;/p&gt;</description>
      <pubDate>Fri, 22 Mar 2013 08:00:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/the-perfect-party-march-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/the-perfect-party-march-2013</guid>
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      <title>Word on the Street: Shambition</title>
      <description>&lt;p class="p1"&gt;&lt;span class="s1"&gt;&lt;em&gt;A false display of careerist drive by someone who&amp;rsquo;d really rather just be drinking beer and/or watching TV all day.&lt;/em&gt;&lt;/span&gt;&lt;span class="s2"&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="boldcaps"&gt;&lt;strong&gt;In a sentence:&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;span class="s2"&gt; &amp;ldquo;Sarah&amp;rsquo;s aggressive LinkedIn requests make you think she&amp;rsquo;s aiming for the corner office, but it&amp;rsquo;s all &lt;strong&gt;shambition&lt;/strong&gt;. If you want to see how she really spends her time, look at her Pinterest page.&amp;rdquo;&lt;/span&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;span class="s3"&gt;&lt;strong&gt;&lt;span class="boldcaps"&gt;See also&lt;/span&gt;:&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;span class="s2"&gt; &lt;strong&gt;Zenthusiasm&lt;/strong&gt;&amp;mdash;the art of achieving detachment and seeming to enjoy obligatory events&amp;mdash;family gatherings, work retreats, etc.&amp;mdash;that, in reality, cause great psychic pain.&lt;/span&gt;&lt;/p&gt;</description>
      <pubDate>Fri, 22 Mar 2013 08:00:00 -0700</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/word-on-the-street-shambition-march-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/word-on-the-street-shambition-march-2013</guid>
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      <title>The New Shul</title>
      <description>&lt;div class="inline-image-left inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:24560,&amp;quot;width&amp;quot;:&amp;quot;532&amp;quot;,&amp;quot;height&amp;quot;:&amp;quot;800&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;320&amp;quot;}" data-image-id="24560" data-include-caption="true" data-layout="inline-image-left"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/2/image/24560/0313-synagogue.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F2%2Fimage%2F24560%2F0313-synagogue.jpg&amp;amp;cropify=532x800%2B0%2B0&amp;amp;resize=320x%3E" alt="Synagogue " /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 320px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/leah-nash"&gt;Leah Nash&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p class="p1"&gt;&lt;span class="boldcaps"&gt;His iPhone rings&lt;/span&gt; on a Friday afternoon. It&amp;rsquo;s perilously close to Shabbat, but the rabbi answers.&lt;/p&gt;
&lt;p class="p2"&gt;&amp;ldquo;Rabbi Zucky,&amp;rdquo; says a sergeant from the Portland Police Bureau, &amp;ldquo;one of the horses is very sick. The vet says there&amp;rsquo;s nothing to be done. Can you come?&amp;rdquo;&lt;/p&gt;
&lt;p class="p2"&gt;Rabbi Zuckerman checks the Harley-Davidson clock on his office wall, with its pictures of vintage bikes in place of numbers. It revs on the hour.&amp;nbsp;&lt;/p&gt;
&lt;p class="p2"&gt;&amp;ldquo;It&amp;rsquo;s nearly Shabbat,&amp;rdquo; he says. &amp;ldquo;I won&amp;rsquo;t drive. Can you pick me up?&amp;rdquo;&lt;/p&gt;
&lt;p class="p2"&gt;&amp;ldquo;On our way.&amp;rdquo;&lt;/p&gt;
&lt;p class="p2"&gt;Once, while living on an Israeli kibbutz, a young Arthur &amp;ldquo;Zucky&amp;rdquo; Zuckerman watched a traumatized cow and calf die needlessly because those in charge wouldn&amp;rsquo;t break the laws of the Sabbath and call for veterinary help. The sound of that cow mooing tears at him still. The young Jew swore he&amp;rsquo;d never let something like that happen again. Today, he would be there for his officers as they faced this heartbreaking loss.&lt;/p&gt;
&lt;p class="p2"&gt;Rabbi Zuckerman is one of the Portland Police Bureau&amp;rsquo;s chaplains, the first rabbi to hold the post in the history of the bureau, not to mention its one and only former Israeli soldier. He&amp;rsquo;s also a pescetarian, a pool shark, and, in case you need one, an instructor in WMD preparedness as certified by the Department of Homeland Security. He&amp;rsquo;s observed a mock sarin gas attack on the Israeli Parliament and helped strategize Los Angeles County&amp;rsquo;s distribution of cipro during an anthrax attack exercise.&lt;/p&gt;
&lt;p class="p2"&gt;Prepared for anything, Rabbi Zucky never frets.&lt;/p&gt;
&lt;p class="p2"&gt;&amp;ldquo;Worry is like a rocking chair,&amp;rdquo; he says, a lot. &amp;ldquo;I don&amp;rsquo;t worry. I &lt;em&gt;do&lt;/em&gt;.&amp;rdquo;&lt;/p&gt;
&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;scaling-type&amp;quot;:&amp;quot;in-proportion&amp;quot;,&amp;quot;fill-color&amp;quot;:&amp;quot;#000000&amp;quot;,&amp;quot;height&amp;quot;:532,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;width&amp;quot;:800,&amp;quot;scale&amp;quot;:&amp;quot;100&amp;quot;}" data-image-id="24555" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/2/image/24555/0313-rabbi-arthur-zuckerman.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F2%2Fimage%2F24555%2F0313-rabbi-arthur-zuckerman.jpg&amp;amp;cropify=800x532%2B0%2B0&amp;amp;resize=640x%3E" alt="Synagogue Shaarie Torah&amp;rsquo;s Rabbi Arthur Zuckerman in his office" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/leah-nash"&gt;Leah Nash&lt;/a&gt;&lt;/div&gt;
Synagogue Shaarie Torah&amp;rsquo;s Rabbi Arthur Zuckerman in his office&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p class="p3"&gt;This mix of true grit and Talmudic smarts is about to come in mighty handy. Like the police bureau, his congregation needs a rabbi who can do more than pray. The century-old Congregation Shaarie Torah is facing a problem likely to demand all the mettle Zuckerman can muster: obsolescence.&lt;/p&gt;
&lt;p class="p3"&gt;For 108 years, the synagogue has survived more than occasional rumors of its own demise. Now they are back with a vengeance, and some worry Shaarie Torah has too much stacked against it to survive. Cash is not the problem, at least in the short term. The challenges are more complex. While some Portland synagogues brag that they&amp;rsquo;re not your grandparents&amp;rsquo; synagogue, that&amp;rsquo;s exactly what Shaarie Torah is&amp;mdash;your bubbe&amp;rsquo;s shul. The once-proud modernist building on NW 25th Avenue feels ponderous and uninspiring, its interior a tired study in dark hallways, dropped ceilings, and cold light. The intimate sanctuary often has many vacant seats; the balcony&amp;rsquo;s empty. A little more than a 15 years ago, Shaarie Torah was home to 457 families; today, that number is 259. Two-thirds of its members are older than 65, arguably the oldest demographic among the city&amp;rsquo;s temples.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;I think Shaarie Torah could go in one of several directions,&amp;rdquo; predicts Marshal Spector, a devoted congregant and well-known leader in Portland&amp;rsquo;s Jewish community. &amp;ldquo;It could thrive with Zucky and continue to provide an option as a smaller, warm, and flexible traditional synagogue. A lot of families desire that. But I also think it&amp;rsquo;s possible that Shaarie Torah may not be around in five years, and that would be heartbreaking.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&amp;ldquo;It would be devastating for us,&amp;rdquo; says congregant Melissa Mills-Koffel, whose oldest child, Aedan, just celebrated his bar mitzvah. &amp;ldquo;We have a 3-year-old and a 4-year-old, and we&amp;rsquo;re hoping they&amp;rsquo;ll come up the ranks, too. All the things we get there, we&amp;rsquo;d never get anywhere else. Shaarie Torah is an extension of our family.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;For the rabbi in the purple prayer shawl, it&amp;rsquo;s time to rev up and do.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p6"&gt;&lt;span class="boldcaps"&gt;Until the brothers&lt;/span&gt; Blumauer arrived in Portland by stagecoach in 1851, nobody worried much about synagogues. Other Jewish pioneers had come and gone, but the Blumauers were the first to stay. The five Haas brothers followed, then Mrs. Weinshank, who ran the boardinghouse near the river for nice Jewish men. (To her, they would always be boys.) In a handful of years, the growing community started Congregation Beth Israel; Shabbat services in 1858 were held above a stable and blacksmith shop.&lt;/p&gt;
&lt;p class="p3"&gt;These first synagogue members were irrepressible. An 1880 argument about doctrine escalated into a showdown when black-bearded Rabbi May pulled a pistol on a congregant, shot twice, and missed. (Make that two Jews, three opinions and one mercifully bad shot.)&lt;/p&gt;
&lt;p class="p3"&gt;Oregon&amp;rsquo;s second synagogue accused Beth Israel of &amp;ldquo;nihilism and gentilism.&amp;rdquo; Worse yet, Beth Israel was &lt;em&gt;Americanized&lt;/em&gt;. New European immigrants created a third synagogue; by 1900 there was a fourth. Three and four combined names and members, but some congregants resented the merger. They found their home in 1902 and called it Shaarie Torah.&lt;/p&gt;
&lt;p class="p3"&gt;Nothing, it seems, begets a synagogue faster&amp;mdash;on desert islands or in relatively remote early Portland&amp;mdash;than dissenting Jews. &amp;ldquo;It keeps us on our toes!&amp;rdquo; says Rabbi Michael Cahana of Congregation Beth Israel. &amp;ldquo;We disagree, we struggle. It&amp;rsquo;s about the passion we have in the way we see the world.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;By the roaring &amp;rsquo;20s, eight synagogues represented three distinct Jewish movements (from left to right, if you will): Reform, Conservative, and Orthodox. From the &amp;rsquo;60s through the &amp;rsquo;90s, three synagogues grew to dominate the city: Beth Israel, Neveh Shalom, and Shaarie Torah. Consider these the basic-flavor years of Portland&amp;rsquo;s Jewish religious practice.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;When I came here in 1953, the Jewish community was very stable with clearly defined elements,&amp;rdquo; says Rabbi Joshua Stampfer, rabbi emeritus at Neveh Shalom, the Conservative synagogue founded in 1961 when two older shuls merged. &amp;ldquo;You knew how people would behave and react.&amp;rdquo; By no means nostalgic, the 91-year-old rabbi now calls those decades &amp;ldquo;humdrum and predictable.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Unlike more sophisticated centers of urban Jewry, with longer histories, larger populations, and numerous institutions of Jewish higher learning, Portland stayed Podunk for a very long time. It wasn&amp;rsquo;t until 1978 that a nascent group of free-thinking families left Congregation Beth Israel to cultivate more intellectually unexplored ground. It would be a decade before these families found their soulmate rabbi, and a few years still before he packed the pews. By the mid-&amp;rsquo;90s, though, good luck getting a seat during High Holiday services at Congregation Havurah Shalom, now located on NW 18th Avenue and home to 350 households.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;When I arrived, I was shocked by the energy and involvement of the congregation,&amp;rdquo; says Rabbi Joey, so well-known by that moniker that some may not know his surname is Wolf. &amp;ldquo;We were avant-garde.&amp;rdquo; In terms of religious practice, Havurah Shalom was off the charts, Portland&amp;rsquo;s first Reconstructionist congregation. Turn left at Reform.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&amp;ldquo;I wanted something out of the norm,&amp;rdquo; Rabbi Joey adds, &amp;ldquo;but I couldn&amp;rsquo;t believe the deep seriousness of the members, boldly engaged, not just sitting on a roster. Producers, not consumers. This was a group that discovered itself and defined its principles before any rabbi got into the mix.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Thus ended the humdrum years of Jewish practice. If you listen carefully, you can almost hear the hierarchy tumbling: The reign of the Three Rabbis was over. Portland was on the verge of a new age in Jewish life, and the Reconstructionist Havurah Shalom was the hip end of the wedge (at least by Northwest standards; the larger Reconstructionist movement itself was already decades old). Increasingly, Jewish groups were demanding more personal and political relevancy from their houses of worship, no more prepackaged goods.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Behold that most quintessential of PDX movements, DIY, and its heady Talmudic offspring, MicroJewry.&amp;nbsp;&lt;/p&gt;
&lt;p class="p6"&gt;Today, the city is ebullient with places of worship&amp;mdash;the latest count is 21&amp;mdash;serving a community estimated by the Jewish Federation of Greater Portland at 47,000 (though by others closer to 40,000). The spectrum of choices is vast, from Lake Oswego north to Vancouver, Washington, and from Friday-night film night with the secular humanists all the way to separate-gender seating among the Chabad-Lubavitch, whose rabbis wear iconic big black hats. Reconstructionist, Renewal, Independent, and just about all the big brands are now busily reinventing themselves in more idiosyncratic and Northwest-friendly ways.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;I love having the dogs,&amp;rdquo; says Rabbi Cahana, who leads outdoor Friday-night services during the Reform synagogue Beth Israel&amp;rsquo;s Shabbat on the Plaza, a popular play-and-pray summertime option offered by a number of synagogues at greenspaces throughout the city. To &amp;ldquo;Dogs Welcome&amp;rdquo; signs add ecstatic singing, guided meditation, forest retreats, tree-hugging holidays, live-stream services, and spirited praying, whether to ancient melodies, Beatles tunes, or klezmer clarinets. Text your rabbi for Talmudic interpretations. Go to mah-jongg or a meet-up.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;Labels, Shmabels&amp;rdquo; proclaims Shir Tikvah&amp;rsquo;s website, to which its rabbi, Ariel Stone, adds, &amp;ldquo;There&amp;rsquo;s less weight of history out here, an attenuation of old bonds.&amp;rdquo; In short, experimenting is easier.&lt;/p&gt;
&lt;p class="p3"&gt;Unused to such a determinedly inventive community, New York transplant Rabbi Michael Kaplan is often taken aback by PDX ways. Says the young rabbi of the Sephardic shul Ahavath Achim, founded by Jewish immigrants from Turkey and Rhodes in 1916, &amp;ldquo;Here, you have to work harder to findsomeone who will think inside the box.&amp;rdquo;&lt;/p&gt;
&lt;p class="p9"&gt;{page break}&lt;/p&gt;
&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;scaling-type&amp;quot;:&amp;quot;in-proportion&amp;quot;,&amp;quot;fill-color&amp;quot;:&amp;quot;#000000&amp;quot;,&amp;quot;height&amp;quot;:532,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;width&amp;quot;:800,&amp;quot;scale&amp;quot;:&amp;quot;100&amp;quot;}" data-image-id="24556" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/2/image/24556/0313-shaarie-torah.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F2%2Fimage%2F24556%2F0313-shaarie-torah.jpg&amp;amp;cropify=800x532%2B0%2B0&amp;amp;resize=640x%3E" alt="Shaarie Torah&amp;rsquo;s sanctuary on a recent Sunday morning meeting of Jews and Christians" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/leah-nash"&gt;Leah Nash&lt;/a&gt;&lt;/div&gt;
Shaarie Torah&amp;rsquo;s sanctuary on a recent Sunday morning meeting of Jews and Christians&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p class="p9"&gt;&lt;span class="boldcaps"&gt;Overthrowing the mother ship&lt;/span&gt; was the last thing on Frieda Gass Cohen&amp;rsquo;s mind when she decided to change seats during service at the Orthodox Shaarie Torah in 1942. She just wanted to be near her husband. They were newlyweds, he knew no one in the congregation, and there she was up in the women-only balcony looking down at him all by himself. &amp;ldquo;I said, &amp;lsquo;This is not going to be,&amp;rsquo; so I moved down and sat next to him.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Just the kind of chutzpah you&amp;rsquo;d expect from a woman whose parents had crawled through forests of darkness to escape czarist Russia.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;None of the men objected,&amp;rdquo; says the synagogue&amp;rsquo;s diminutive doyenne, &amp;ldquo;not even the rabbi. And when the other young men came back from the war, the women said, &amp;lsquo;We want to sit by our husbands, too,&amp;rsquo; and that was that.&amp;rdquo; Nevertheless, Frieda Gass Cohen would be 91 before her congregation shed the last garments of its traditional orthodoxy and made women full partners in prayer. That happened under Rabbi Zucky in 2011.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Today, Cohen&amp;rsquo;s shul is fully egalitarian; women and girls can read publicly from the Torah and, unusual given its Orthodox roots, have bat mitzvahs. Such was the mandate from the congregation&amp;rsquo;s former president and beloved benefactor, the late Harold Schnitzer, who sat down with Rabbi Zuckerman upon his arrival and tasked him with leading his congregation into the future. &amp;ldquo;And when he told me all the types of things he&amp;rsquo;d like to see,&amp;rdquo; remembers Zuckerman, &amp;ldquo;my response was, &amp;lsquo;Mr. Schnitzer, I&amp;rsquo;ve been here two weeks! Give me a chance! I&amp;rsquo;ll get something done!&amp;rsquo;&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;In the five and a half years since the rabbi took the helm, one thing hasn&amp;rsquo;t changed. Organized religion in this town is a tough sell, whether you&amp;rsquo;re a rabbi, a priest, or a minister. Portland&amp;rsquo;s overall Jewish population may be growing, but only a fraction&amp;mdash;10 percent and shrinking, according to the Jewish Federation&amp;mdash;belong to any kind of synagogue, in or out of the box. The other 90 percent, if they&amp;rsquo;re involved culturally at all, don&amp;rsquo;t need a synagogue membership to participate in Jewish life. They can belong to the Oregon Jewish Museum, take classes at Portland Kollel or the Mittleman Jewish Community Center, send their children to the Portland Jewish Academy, distribute organic produce with the organization Tuv Ha&amp;rsquo;Aretz, or swing hammers and build affordable housing with Tivnu: Building Justice. Lectures, book clubs, concerts, and film offerings have never been more robust.&lt;/p&gt;
&lt;p class="p3"&gt;So where does that leave nonprofit synagogues that specialize in old-time religion? In Yiddish, the term is&lt;em&gt; shvitzing&amp;mdash;&lt;/em&gt;sweating&amp;mdash;over the bottom line. Add a big building or three, assistant rabbis, cantors, plus education and membership directors, divide the cost among too few people, and the burden becomes untenable. &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&amp;ldquo;Are synagogues even attractive or meaningful?&amp;rdquo; asks provocateur Marc Blattner, head of the Jewish Federation of Greater Portland. Blattner came to town two years ago, an animated, amiable guy from Philly who is no friend of the status quo. He thinks affiliation limits participation. He hears it all the time. &amp;ldquo;People who don&amp;rsquo;t belong to temples, they tell me, &amp;lsquo;I&amp;rsquo;m Jewish. Isn&amp;rsquo;t that good enough?&amp;rsquo;&amp;rdquo; &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Synagogue services are too long, he believes. &amp;ldquo;The chair was the worst thing to happen to Jewish practice.&amp;rdquo; Services are unvarying, and membership&amp;rsquo;s too expensive. &amp;ldquo;It hurts my ears to hear people say they can&amp;rsquo;t afford to be Jewish,&amp;rdquo; he laments. &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Blattner simply doesn&amp;rsquo;t see the numbers needed to sustain Portland&amp;rsquo;s Jewish institutions. &amp;ldquo;Everyone wants to tell you they&amp;rsquo;re holding their own,&amp;rdquo; he says, suspecting otherwise. Then he pops the big one: &amp;ldquo;Can synagogues afford themselves?&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;When they&amp;rsquo;re light on their feet, yes. &amp;ldquo;You&amp;rsquo;re mostly vulnerable,&amp;rdquo; says Shir Tikvah&amp;rsquo;s Rabbi Stone, &amp;ldquo;if you have a large mortgage and fewer people committed to paying it.&amp;rdquo; She considers herself lucky; her east-side shul rents its space. But Blattner has a more radical solution: open all the synagogue doors and share the wealth.&lt;/p&gt;
&lt;p class="p3"&gt;To that end, he&amp;rsquo;s proposing a &amp;ldquo;Chai Life&amp;rdquo; pass to Portland&amp;rsquo;s Jewish community, from the Hebrew word for &amp;ldquo;life&amp;rdquo;: one fee to attend synagogues, Hebrew schools, day schools, summer camps. The cost would be $1,800 annually, a fraction of what it costs a Jewish family of four to avail themselves of these same services, though similar to what most singles pay for synagogue memberships.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;With the pass, instead of me belonging to A, B, or C, I am now a member of every synagogue,&amp;rdquo; he says, &amp;ldquo;and I can go to any one I wish, wherever I feel comfortable. I think this will bring more people walking in the door.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Families he&amp;rsquo;s pitched it to love the plan, but community leaders doubt the math.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;From a business perspective it&amp;rsquo;s a loser,&amp;rdquo; says Jeff Nudelman, a former president of several local Jewish institutions and a member of Neveh Shalom. &amp;ldquo;When I crunch the numbers, I don&amp;rsquo;t see how it would work. For engaging the maximum amount of people into our Jewish agencies and building something bigger than we have now, it&amp;rsquo;s outstanding. But he hasn&amp;rsquo;t convinced me. That doesn&amp;rsquo;t mean I&amp;rsquo;m not willing to be convinced.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Rabbi Cahana of Congregation Beth Israel is less equivocal. He doesn&amp;rsquo;t like it. &amp;ldquo;To create a system where you jump from one synagogue to the other is to encourage the idea of fee for service,&amp;rdquo; he says, describing what some argue is the very definition of membership. &amp;ldquo;I&amp;rsquo;m going to take what I want from you, and you, and you. That leaves us with no sense of shared purpose or community.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;A close friend and colleague of the rabbi&amp;rsquo;s doesn&amp;rsquo;t share his worry. &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;Anything that&amp;rsquo;s going to help bring people in,&amp;rdquo; says Rabbi Zucky, who thinks the Chai Life pass has potential but needs to be fine-tuned. &amp;ldquo;We have to consolidate what we&amp;rsquo;re doing. But it&amp;rsquo;s not the rabbis or even the families who are going to be the final word. It&amp;rsquo;s the boards of all the organizations and synagogues involved that have to buy in. They&amp;rsquo;re the ones doing the fundraising.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="p12"&gt;&lt;span class="boldcaps"&gt;The two men&lt;/span&gt; guiding Shaarie Torah&amp;rsquo;s 18-person board are all about opening doors. For each of them, embracing change is not simply a strategy, it&amp;rsquo;s a personal imperative, a means to honor their parents&amp;rsquo; dynamic commitment to the congregation. One is Rick Cohen, son of the shul&amp;rsquo;s beloved instigator, Frieda Gass Cohen. (&amp;ldquo;Shaarie Torah&amp;rsquo;s in my DNA,&amp;rdquo; he says. &amp;ldquo;I can&amp;rsquo;t separate myself from it.&amp;rdquo;) The other is Harold Schnitzer&amp;rsquo;s son, Jordan.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;My involvement with Shaarie Torah is more about my relationship with my father than with the institution itself,&amp;rdquo; Schnitzer says. &amp;ldquo;The synagogue was a huge building block in who Harold Schnitzer was. When I would sit there next to him in synagogue with my little tallis on, playing with the &lt;em&gt;tzittzit&lt;/em&gt; (the fringes on the prayer shawl), there&amp;rsquo;d be a peace about him, an inner glow. He was comfortable with his relationship with God.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Unlike his late father, Jordan Schnitzer, 61, is more at peace with Judaism&amp;rsquo;s traditions and ethics than its prayer books. (&amp;ldquo;When I read the translation of what I&amp;rsquo;m saying in Hebrew,&amp;rdquo; he says, &amp;ldquo;I have huge issues.&amp;rdquo;) Fitting to his generation and the Jewish community at large today, his own commitment is to a more culturally Jewish way of life. Though he hedged about Blattner&amp;rsquo;s Chai Life pass in particular, he knows for a fact synagogues cannot afford themselves.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;Everybody&amp;rsquo;s broke. All the synagogues, all the churches. There&amp;rsquo;s a vast decrease in membership. We don&amp;rsquo;t need a demographic study to understand that sea change.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Yet here is Schnitzer, throwing both his expertise and considerable philanthropic weight behind Shaarie Torah, an institution desperate for reinvigoration. Despite cuts that balanced the current books, by Schnitzer&amp;rsquo;s accounting, the shul still needs a hefty 30 percent increase in membership&amp;mdash;that&amp;rsquo;s 110 more hard-to-find families&amp;mdash;in order to be self-sustaining in the long term. Schnitzer knows a wholesale bailout such as his father often bestowed on his cherished shul makes no sense. For the synagogue to have a future, the community must vote with its feet.&amp;nbsp; &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;So here&amp;rsquo;s the Schnitzer idea, approved by the synagogue&amp;rsquo;s board: two years free Sunday school, membership optional; emphasizing philanthropy, rather than membership alone; and most notably, Shaarie Torah has officially laid to rest its Orthodox past and affiliated with the Conservative branch.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;The latter is a bid to shore up its identity. It&amp;rsquo;s a calculated risk. Congregation Neveh Shalom is already the go-to Conservative shul in town, boasting the largest Jewish congregation in the city. It could end up swallowing Shaarie Torah; synagogues merge all the time. But Shaarie Torah congregant and mother of three Melissa Mills-Koffel suggests the two synagogues have little in common.&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;We did a lot of shul hopping before joining Shaarie Torah,&amp;rdquo; she says. &amp;ldquo;Neveh Shalom has great programs, but you get lost in the shuffle. It wasn&amp;rsquo;t for us. Shaarie Torah is smaller, warm, and welcoming. And oh my gosh, we love Rabbi Zucky.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;Anecdotal evidence suggests it&amp;rsquo;s hard to resist a rabbi who throws out candy during services and sets his iPhone to bark.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;I see positive things,&amp;rdquo; says the characteristically unworried Zuckerman. &amp;ldquo;If people are talking about doomsday for Shaarie Torah, they&amp;rsquo;re not at my party.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;But they are in his sanctuary, where they see empty seats and a congregation quite literally in a steady, inevitable decline.&amp;nbsp; &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;Yes, we have seniors who are passing away,&amp;rdquo; Zuckerman concedes, &amp;ldquo;but the fact is people are going to pass on and people are going to join. And when they move to Portland, they&amp;rsquo;ll go, &amp;lsquo;Oh! Where is that rabbi with the pool table?&amp;rsquo;&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;Not long ago, Jordan Schnitzer addressed members of the Oregon Board of Rabbis, whose monthly meetings take place around that pool table&amp;mdash;albeit covered with a three-piece folding wood top. As board president, Zuckerman presided. Schnitzer told the rabbis that if the demographics didn&amp;rsquo;t change, some of their synagogues would be gone in 10 years, perhaps even in five. Rabbi Zucky agrees, but he&amp;rsquo;s betting the house Shaarie Torah will be around. &amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;ldquo;My father, he should rest in peace, went to three &lt;em&gt;shtiebel,&lt;/em&gt; little synagogues, in our Brooklyn neighborhood. He&amp;rsquo;d be here until there was a disagreement with somebody. Then he&amp;rsquo;d be over there. Another disagreement and he&amp;rsquo;d be at the third. Then he&amp;rsquo;d come back to the original place.&amp;rdquo;&lt;/p&gt;
&lt;p class="p3"&gt;A picture of the legendary Jewish baseball player Sandy Koufax looks over the rabbi&amp;rsquo;s shoulder as he leans in to deliver the rabbinic pitch.&amp;nbsp;&lt;/p&gt;
&lt;p class="p3"&gt;&amp;nbsp;&amp;ldquo;Point is, you always have to have the shul you don&amp;rsquo;t go to in order to find out where you belong.&amp;rdquo;&amp;nbsp;&lt;/p&gt;
&lt;p class="p13"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="section_title"&gt;&lt;strong&gt;SYNAGOGUE SAMPLER&lt;/strong&gt;&lt;/p&gt;
&lt;p class="bigbold"&gt;&lt;strong&gt;&lt;em&gt;A Shabbat tour of Portland-area congregations isn&amp;rsquo;t quite a pub crawl, but in the right frame of mind, it can be intoxicating&amp;mdash;or certainly enlightening&amp;mdash;since no two brews are alike.&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="p2"&gt;&lt;strong&gt;&lt;em&gt;Here are a few on tap:&amp;nbsp;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;id&amp;quot;:24557,&amp;quot;width&amp;quot;:&amp;quot;1000&amp;quot;,&amp;quot;height&amp;quot;:&amp;quot;680&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;scale_width&amp;quot;:&amp;quot;640&amp;quot;}" data-image-id="24557" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/2/image/24557/0313-synagogue-sample.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F2%2Fimage%2F24557%2F0313-synagogue-sample.jpg&amp;amp;cropify=1000x680%2B0%2B0&amp;amp;resize=640x%3E" alt="Synagogue collage" /&gt;&lt;/a&gt;
&lt;div class="inline-image-caption mceNonEditable" style="width: 640px;"&gt;
&lt;div&gt;Image: &lt;a class="attribution-link" href="/producers/leah-nash"&gt;Leah Nash&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt;&lt;strong style="color: #000000; font-family: Times; font-size: 15px; line-height: 20px;"&gt;NOTE: &lt;/strong&gt;Organized &amp;ldquo;left to right&amp;rdquo;&amp;nbsp;(i.e., liberal to conservative)&lt;/p&gt;
&lt;p class="section_title"&gt;&amp;nbsp;&lt;/p&gt;
&lt;span class="bigbold blue-bkgd"&gt;1&lt;/span&gt;
&lt;p&gt;&lt;strong&gt;Kol Shalom&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Check your Deity at the door when you visit this community for Humanistic Judaism. No &amp;ldquo;supernatural authority&amp;rdquo; here, so no need for prayer books or rabbis. But first-Friday film nights are a good time to connect with Kol Shalom&amp;rsquo;s culturally vibrant members as well as the Jewish values you might not even know you had.&amp;nbsp;&lt;a title="http://kolshalom.org/" href="http://kolshalom.org/" target="_blank"&gt;&lt;em&gt;kolshalom.org&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;span class="bigbold blue-bkgd"&gt;2&lt;/span&gt;
&lt;p&gt;&lt;strong&gt;P&amp;rsquo;nai Or&lt;/strong&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&amp;ldquo;We pray with our feet,&amp;rdquo; says this politically active, two-decade-old Jewish Renewal congregation, where members dance whenever the spirit moves them. This small, learned group, led by the charismatic Rabbi Debra Kolodny, revels in spontaneity. &lt;a title="http://www.pnaiorpdx.org/" href="http://www.pnaiorpdx.org/" target="_blank"&gt;&lt;em&gt;pnaiorpdx.org&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Havurah Shalom&lt;/strong&gt;&lt;/p&gt;
&lt;p class="p1"&gt;This once-renegade Reconstructionist congregation has grown midsize and established, with more muscle to shake up the political and religious status quo. Rabbi Joey&amp;rsquo;s intellectually vigorous and searching community likes to keep the questions coming. Except during guided meditation. &lt;br /&gt;&lt;a title="http://havurahshalom.org/" href="http://havurahshalom.org/" target="_blank"&gt;&lt;em&gt;havurahshalom.org&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;span class="bigbold blue-bkgd"&gt;3&lt;/span&gt;
&lt;p&gt;&lt;strong&gt;Shir Tikvah&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;Until the Willamette River parts for Portland&amp;rsquo;s Jewish community to cross the divide, the liberal, Independent Shir Tikvah remains the east side&amp;rsquo;s only full-time shul. Rabbi Ariel Stone&amp;rsquo;s casual congregation is serious about social justice and Torah study complete with fresh bagels and heated banter. &lt;a title="www.shir-tikvah.net/shirblog/" href="http://www.shir-tikvah.net/shirblog/" target="_blank"&gt;&amp;nbsp;&lt;em style="font-size: 15px; line-height: 20px;"&gt;shir-tikvah.net&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;span class="bigbold blue-bkgd"&gt;4&lt;/span&gt;
&lt;p class="p1"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;Beth Israel&lt;/strong&gt;&lt;/p&gt;
&lt;p class="p1"&gt;In the summer you can bring the dog to Shabbat on the Plaza with Rabbi Michael Cahana. Until then, there&amp;rsquo;s not a more august space than this Reform synagogue&amp;rsquo;s main sanctuary, where prayers come wrapped in the voluptuous silk voice of Cantor Ida Rae Cahana. (Yes, they&amp;rsquo;re husband and wife.)&amp;nbsp; &lt;a title="http://bethisrael-pdx.org/" href="http://bethisrael-pdx.org/" target="_blank"&gt;&lt;em&gt;bethisrael-pdx.org&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="p3"&gt;&lt;strong&gt;Neveh Shalom&lt;/strong&gt;&lt;/p&gt;
&lt;p class="p3"&gt;Gussy up a bit before braving the bright lights and big gates of Rabbi Daniel Isaak&amp;rsquo;s titanic Conservative shul. Close your eyes and nourish your soul at monthly Keva services; time it right and catch the cantor and the band Klezmocracy usher in a high-stepping Shabbat bride. &lt;a title="nevehshalom.org" href="http://nevehshalom.org/" target="_blank"&gt;&lt;em&gt;nevehshalom.org&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="p1"&gt;&lt;strong&gt;Kesser Israel&lt;/strong&gt;&lt;/p&gt;
&lt;p class="p1"&gt;A remodeled brewpub is the cozy new home of the city&amp;rsquo;s nearly century-old Orthodox congregation, the fastest-growing Jewish denomination in the country, distinguished by its separate seating for women and men. The congregation is committed to family values, charitable works, and traditional practice. &lt;a title="kesserisrael.org" href="kesserisrael.org" target="_blank"&gt;&lt;em&gt;kesserisrael.org&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;span class="bigbold blue-bkgd"&gt;5&lt;/span&gt;
&lt;p class="p1"&gt;&lt;strong&gt;Bais Menachem&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Expect to be showered with attention by black-hatted Rabbi Motti Wilhelm at this tiny, ultra-&lt;br /&gt; Orthodox Chabad shul. The Shabbat service in the yellow house on SW Vermont Street will fly over your head if you can&amp;rsquo;t speed-read Hebrew, but the dance steps are easy: all you gotta do is sway. &lt;em&gt;503-977-9947&lt;/em&gt;&lt;/p&gt;</description>
      <pubDate>Fri, 22 Feb 2013 09:00:00 -0800</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/the-new-shul-march-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/the-new-shul-march-2013</guid>
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    <item>
      <title>Save the Oregonian</title>
      <description>&lt;div class="inline-image-block inline-image mceNonEditable" data-crop="{&amp;quot;scaling-type&amp;quot;:&amp;quot;in-proportion&amp;quot;,&amp;quot;fill-color&amp;quot;:&amp;quot;#000000&amp;quot;,&amp;quot;height&amp;quot;:1252,&amp;quot;left&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;top&amp;quot;:&amp;quot;0&amp;quot;,&amp;quot;width&amp;quot;:1000,&amp;quot;scale&amp;quot;:&amp;quot;100&amp;quot;}" data-image-id="24552" data-include-caption="true" data-layout="inline-image-block"&gt;
&lt;div align="center"&gt;&lt;a class="lightbox" href="/data/images/2013/2/image/24552/0313-save-the-oregonian-backpage.jpg"&gt; &lt;img src="http://portlandmonthlymag.com/images/change?src=%2Fdata%2Fimages%2F2013%2F2%2Fimage%2F24552%2F0313-save-the-oregonian-backpage.jpg&amp;amp;cropify=1000x1252%2B0%2B0&amp;amp;resize=640x%3E" alt="" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;</description>
      <pubDate>Thu, 21 Feb 2013 16:49:00 -0800</pubDate>
      <link>http://www.portlandmonthlymag.com/articles/save-the-oregonian-february-2013</link>
      <guid>http://www.portlandmonthlymag.com/articles/save-the-oregonian-february-2013</guid>
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