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Contemporary Craft

High-end modern furnishings and chic handmade decorative pieces put a new spin on Arts & Crafts.

By Camela Raymond

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0712_pg155_habitat_livingroom
Photo: Jon Jensen

Modern furnishing plus a color scheme of subdued purples and aquas, lift a 1920s-era living room into the present.

View Slideshow » Photo: Jon Jensen

Modern furnishing plus a color scheme of subdued purples and aquas, lift a 1920s-era living room into the present.

View Slideshow » Photo: Jon Jensen

Who says you have to outfit a Craftsman with heavy furnishings? Here, molded plastic Eames dining chairs play well against stout original built-ins that have been freshened with a coat of off-white paint.

View Slideshow » Photo: Jon Jensen

Open shelving and period-appropriate drawer fronts replace trendy cherry cabinetry, giving the kitchen a contemporary look that blends in with the home’s historic architectural style.

View Slideshow » Photo: Jon Jensen

Whimsical accents, such as this collage by Bay Area artist Rex Ray and a paper mobile by homeowner Heather Frazier, bring cheer to the dining room.

View Slideshow » Photo: Jon Jensen

A pair of vintage lamps give form, and a sheepskin rug gives fluff, to the TV room.

BORN IN ENGLAND in the wake of the Industrial Revolution, the Arts & Crafts movement exhorted nesters to eschew shoddy, mass-market housewares that were then pouring from factory assembly lines and to invest in homes and furnishings of beauty and quality. With its rustic architecture and Medieval-inspired décor, the movement took firm hold in Portland in the first decades of the last century, as evidenced in part by the thousands of stately Craftsman bungalows that still line our streets and continue to attract new generations of caretakers.

It was a 1923 Craftsman bungalow in Irvington that caught the eyes of 37-year-old art dealer Charles Hartman and his wife, Heather Frazier, a 47-year-old freelance designer. Having shoehorned themselves and their belongings into a tiny condominium for 12 years in San Francisco, the self-employed couple had despaired of ever getting a solid foothold in the Bay Area real estate market. Like so many who have made such calculations before, they found that their modest home-buying budget would stretch further in Portland. They made the move in 2005.

“I had been miserable in that little box, and I wanted as much of a dream house as possible,” Frazier says.

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Photo: Jon Jensen

Because Hartman stands at a lanky 6’4", vertical space was an essential requirement for their new home. The couple had spent two months on the hunt for a high-ceilinged Portland foursquare when they at last came across the near-perfect Craftsman: a four-bedroom, 2,300-square-foot home with nine-foot ceilings and plentiful light (also top priority for a pair making the worrisome transition to Portland’s rainy, gray weather). Moreover, three extra bedrooms, along with a main-floor sitting room, provided a place for Frazier’s college-age daughter to stay during vacations from school, as well as for Hartman’s home office and Frazier’s design studio.

Moreover, with its burly front porch and lovingly detailed built-ins, it typified the humble beauty of the Craftsman style. And it was in excellent shape, with refinished wood floors, newly tiled bathrooms and a renovated kitchen.

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Published: December 2007

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