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CULTUREPHILE: PORTLAND ARTS

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White Bird presents Laboratory Dance Project

A sneak peek at a hiphop-infused modern dance piece from Seoul.

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The Laboratory Dance Project, a Korean troupe that makes its west-coast debut courtesy of White Bird tomorrow, is made of potent stuff. Need proof? Check out these videos of their critically-praised work No Comment.

The piece virtually bleeds with exertion, stress, and power dynamics in a fast-paced, competitive world. Note the dancers’ dress, which seems equal parts “business” and “street”—two environments where the individual must simultaneously cooperate, and perform. The unified chanting that nearly drowns out moans, seems to enforce order amid insuppressible humanity.

Meanwhile, in the movement, precise unison and pop-and-lock moves (perhaps symbolizing the well-oiled machine) are broken by the occasional fall (failure) of an individual, or an individual stepping up to dance more intensely, or to direct the show (performance/leadership). Dancers repeatedly clutch at their hearts, as if to take their own frenzied pulse, while crossing their arms across their bodies as if to literally “pull themselves together.” The visceral meets the mechanical, in a dance so taut with tension that each beat feels like an explosion.

Laboratory Dance Project will be at Lincoln Hall through April 2. For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Tags: Dance, white bird, modern, hiphop

phile under: theater + dance

Fertile Ground

incoming theater/dance festival

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Tere-minh

Fertile Ground is ten days of new work—theater, dance, performance, and…comedy. Launched by the Portland Area Theatre Alliance in 2009, the fest opens January 22 and runs through February 2.

There’s a bit of excitement around here for the fest (emanating primarily from Interactive Managing Editor, Alexis Rehrmann, who has a secret previous life as a director/actress/&c), so I imagine we’ll line ’em up, knock ’em down, and write home about it.

I, for one, am looking forward to the White Bird double bill of works by choreographers Tere Mathern and Minh Tran at the Forestry Center (five performances starting next Wednesday, January 20) and Alembic #6 (a series of new performance) at Performanceworks Northwest, this time curated by Kathleen Keogh the evening features the brilliant Emily Stone’s Domestic/Wild. “Using sound, dance, performative lecture and digital video, we trace the porous border between the home and the feral.”

I was reminded, recently watching video of Tere’s piece at the Forecourt/Keller Fountain for City Dance, how very much I appreciate her work. This time out, she collaborates on “Pivot” with artist David Eckard and composer Tim DuRoche (who is, full disclosure, my partner in crime). Minh Tran works with composer Heather Perkins and visual film designer David Bryant to create “KISS.”

There is a full schedule of performances, events, soirees on the Fertile Ground website, and you can follow the fun on Twitter at #FG10. A whole-festival pass is only $50 for scads of new theater, from fully staged premieres to readings and workshops. Or get a button for $5 and get discounts on a number of performance tickets.

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Tags: white bird

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