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twenty song insanity

Free Music from Menomena’s Danny Seim

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Menomena’s Danny Seim undertook the Twenty Song Challenge: to record 20 songs in 12 hours. You can hear his results for free at the Menomena website. While his ultimate recording is more 20 fragments of songs that have been combined into one grand 30-minute medley of sorts, the fact remains that the man pumped out what sounds like the seeds of a fantastic album in a mere 12 hours. Twelve hours! We stand in awe.

If one were to interpret it as a musical stream of consciousness diary—for how could anyone record 20 songs in 12 hours and filter what they’re writing?—it sounds like Danny’s got a little positive psychology on the mind. If you’re feeling down this weekend, you might repeat these affirmative Menomena mantras: “Hating people is like burning your own house down” and “I will permit no man to narrow or degrade my soul by making me hate him.”

And for Menomena fans, grand news at the end of Danny’s note:

“Speak­ing of hot air, Menom­ena is in the final two weeks of record­ing our fifth record. More news on that front com­ing soon, I hope.”

Not bad for a Friday morning.

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l'a-MORE!

Valentine’s Day Planner

A packed week’s-worth of romantic arts happenings.

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Brittany Walsh shoots her cupid’s bow.

(Image by Thomas Good)

THURSDAY, FEB 9–FEB 14
Twenty Erotic Shorts: Trois! Four actors and two musicians from the Working Theatre Collective trot out a varied programme of 20 new vignettes, ranging from tender and sensual to bawdy and naughty.

FRIDAY, FEB 10
Valentine’s Ball with Soundstage Rhythm Orchestra Let Walters Cultural Arts Center in Hillsboro lure you to the ’burbs and pull you onto the dance floor with a whopping 25-piece dance orchestra playing swing and Latin classics all night.

SATURDAY, FEB 11
Miz Kitty’s Parlour This monthly vaudeville spectacle pulls out all the stops for V-Day weekend: Jazz jams! Uke beauties! And contortionist Brittany Walsh, who can famously shoot a bow and arrow with her legs whilst poised in a back-bent handstand!

Ethos benefit Cover Your Hearts 5 Ethos Music, a nonprofit that brings a hands-on music-making experience to kids free of charge, calls in a favor from the Wonder Ballroom and some grown-up bands. Charmparticles, Derby, Chris Robley and more will cover 80’s power ballads, hoping you’ll help cover the cost of youth music-making.

SUNDAY, FEB 12
Mousai Remix at Ivories Jazz Lounge A newly-formed chamber group featuring Oregon Symphony musicians Emily Cole, Shin-young Kwon, Jennifer Arnold, and Marilyn de Oliveira will play Beethoven’s F Major Quartet, Op. 59, No.1 and Brahms C minor Quartet Op. 51, No. 1.

TUESDAY, FEB 14
Portland Story Theater’s Kiss & Tell PBS writer Slash Coleman, comedian auGi, and Vagabond Opera’s mustachioed accordion icon Eric Stern will preside over some sexily confessional hijinks at Alberta Rose, including pro puppetry and an amateur “orgasm choir.”

Smalldoggies Reading Series at The Blue Monk PCC prof Emily Kendal Frey, Seattle prizewinner Jenny Forrester, PDX slam poetry champ Mike McGee, and Vegas novelist Kris Saknussemm will speak. (Full disclosure: A Culturephile blogger will play some music—but urges you not to hold that against this otherwise reputable event.)

Dia de los Enamorados w/ Pete Krebs Andina will prepare a feast “from Lima with love,” while Portland’s top Django-style swing group Pete Krebs Trio regales diners with classic croon-tunes.

Rontoms Rock Prom As gussied-up as the hipster set gets, this night tends to culminate in a wall-to-wall tangle of vintage crinolines, thin ties, and hastily shouted hellos. Amid the fray, Monarques, Radiation City, Youth and DJ Cooky Parker will play.

Mortified at the Mission Theater Grown adults willingly subject themselves to the inevitable embarrassment of reading their adolescent diary entries aloud while the audience snickers (but secretly sympathizes).

SATURDAY, FEB 18
BodyVox Presents Flirt w Luciana Proaño A nuanced South American seduction from the unfettered mind of the Peruvian dancer, drummer and folklorist.

Love of Portland Art Show More than 150 visual artists pitch woo to Portland via undoubtedly bike, brew, and bird-heavy PDX-themed pop art. What’s not to heart?

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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ticket giveaway

Q Center Winter Gala at YU on Saturday, Feb 18

Enter below for a chance at two free tickets to the charity event of the season

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Photo credit: Wayne Bund

We’re trying something new here at Culturephile and with the On the Town newsletter: giving you free tickets to some of our favorite events. And what better way to kick it off than two tickets to one of the most glamorous, not to mention fun, events on the Portland gala calendar.

Having outgrown its digs at the Nines Hotel (500 people packed the ballroom last year), the Q Center Winter Gala is jumping the Willamette for the gorgeous industrial chic of YU. The lofty warehouse space with its grand views of downtown seems in perfect step with the gala’s Breakfast at Tiffany’s, 60’s-era theme, “Never Out of Style.” And the night’s lineup promises to maximize the building’s unequaled party potential, particularly with Bob Mould behind the turntables. While he’s famous for his ’80s indie-pioneering band Hüsker Dü and ’90s pop-driven phenom Sugar, he’s also taken on electronic music in his solo work and now co-DJ’s a nationally touring alterna-gay dance party called Blowoff. Which is to say, he’s a master of never going out of style and seems just the ticket to make this night the stuff of legend.

Enter to win tickets. We’ll randomly select an entry on Monday, Feb 13 at noon to receive two tickets. Or you can buy tickets here.

To make sure you don’t miss out on future ticket giveaways, sign up for our weekly On The Town Newsletter!

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a new dimension of dance

Director of the Documentary Pina at Cinema 21

The Academy Award nominated director Wim Wenders will talk on Thursday, Feb 16 before Cinema 21’s final screenings of Pina

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The director of arguably the year’s most remarkable documentary, the 3-D dance film Pina, will be at Cinema 21 to introduce the film and answer questions next Thursday, Feb 16 in a special co-presentation between the theater and the Portland International Film Festival. Werner Herzog might have made the pioneering push of 3-D filmmaking into documentaries with his beautiful Cave of Forgotten Dreams, but Wim Wenders has ventured even further, exploding the boundaries not only between dimensions, but between film and performance. More than just a documentary or just a performance recording, his tribute to the late legendary choreographer Pina Bausch is a series of scenes of members of her dance company performing in both theaters and unusual outdoor settings, from the edge of a quarry to the inside of a tram, interspersed with interviews. And it’s earned him an Oscar nomination for Best Documentary, in addition to winning the Best Documentary awards at the European Film Awards and German Film Awards.

Wenders will be at the theater to introduce the film and do a Q&A at the 7:00 pm screening and to introduce the 9:40 pm screening. This is the last day Pina will play at Cinema 21 before it moves on to Living Room Theaters.

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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jazzed

KMHD Director Talks Jazz Fest

Matt Fleeger, Portland’s premier Jazz DJ, hips us to the upcoming Portland Jazz Festival and evangelizes this broad, dynamic, influential genre.

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Portland has long percolated a viable, if not highly visible, jazz scene. Veterans like composer Dave Frishberg, trumpeter Thara Memory, and a handful of other super-talents call our town home, while twentysomething bass prodigy Esperanza Spalding, (who used to rock Portland’s all-ages indie clubs before training at Berklee) snagged the Best New Artist Grammy last year from a stunned Justin Beiber. Still, a feeling persists that Portland jazz—and jazz in general—flies just slightly under the radar of new listeners. The 9th annual Portland Jazz Festival , primed to kick off next week, aims to cater to its base while enticing new ears, branding certain events to raise energy (“Dance Party”) and to champion regional acts (“PDX Jazz” series).

Culturephile caught up with authoritative local jazz tastemaker Matt Fleeger, Program Director of KMHD Jazz Radio, to find out what we should expect from the 2012 fest, and more generally, what jazz has to offer the next generation. (To hear more from Matt, listen to New Jazz For Lunch, Mon-Thurs, noon-1 on KMHD, 89.1 FM )

Who’s your favorite instrumentalist this year?
The whole line-up is just stellar this year, but the artist I’m looking forward to most is Italian trumpeter Enrico Rava. For one, Rava’s touring band is made up of some of the most serious players from Europe (including the virtuosic Trombone player Gianluca Petrella). But I’m mostly excited to see this performance because of Rava’s lush, dynamic compositions. Think Miles Davis’ Kind of Blue meets John Coltrane’s A Love Supreme.

Favorite vocalist?
That’s gotta be Dee Dee Bridgewater. She’ll be bringing her interpretation of Billie Holiday’s life and music to the stage of the Newmark Theater on Thursday, the 23rd. This is a phenomenal show – a must see for any Lady Day fans out there.

What are some of the latest trends in jazz music, and which acts from the 2012 lineup best illustrate those trends?
There’s a new sort of world-fusion happening in Jazz music. Vijay Iyer’s “Indo-Pac Coalition” is perhaps one of the most dramatic examples of a collective that melds classical ethnic styles with improvised music. He’s coming to Portland with his fusion of south-Indian classical music. This trio, called “Tirtha” features Iyer playing piano with classically trained tabla player Nitin Mitta, and guitarist Prassana.

What initially drew you to jazz music, and what do you now love most about it?
Personally, I got exposed to Jazz watching a skateboard video when I was a teenager. The music made me feel a certain way, cool, hip etc… My passion for Jazz continues because there’s always some “buried treasure” to be discovered in the record store, since so much of the recorded history of the music has never been digitized. Since Jazz is such creative music, new sounds are always being made, and the new crop of Jazz musicians these days are really doing special, innovative things.

More generally, what’s “to love”? What do you say to convert casual listeners into a deeper appreciation of the medium? Is there an emotional or societal need that only jazz music can fill?
Because Jazz is over 100 years old, it’s impacted – and been impacted by – almost every trend in popular music over the 20th century. I love it when someone tells me “I don’t like Jazz” because I know I can find something in that long, storied history that they can appreciate. Jazz music is flexible, it’s like a sponge – absorbing different musical styles, shaping them and making them different.

Also, Jazz is mood music. It can be mellow and calming at times, other times upbeat and driving. Because most of the music we play on KMHD is instrumental, we find that our audience in multi-generational. There’s something for everybody to like. When I’m turning someone on to the music, I always ask the question “What’s your favorite type of music?” because we can always find some Jazz that will connect with their current favorites. Even if they’re a Country fan!

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Absurd Garfunkel & Oates Quotes

Two lucky commenters will win tix to see this mouthy musical duo!

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Riki Lindhome (Garfunkel) and Kate Micucci (Oates) were young actors before finding their true calling in 2009: writing snarky songs and performing them in viral home videos. Quickly racking up click-rates in the millions, the pair has gone on to comedy fests, celebrity cameos, and even a gig on Late Night with Jay Leno. Set to release a new album, Slippery When Moist, on February 21, the pair hits Helium Comedy Club this weekend.

But wait! Before you go trotting off to YouTube for a laugh, read a few of their choice quips below (warning: they’re irreverent) and LEAVE A COMMENT of your own. Two lucky readers who do so will WIN TICKETS TO SEE THEM AT HELIUM!

“Pregnant women are smug. Everyone knows it, but nobody says it, because they are pregnant. You’re just giving birth now. You’re not Mother Earth now.”

“I don’t know who you are; I don’t have a freaking clue. So get a catchphrase, get an accent, hook your face up with a tattoo. You don’t even look a little familiar to me, and I blame you.”

“Okay, okay, I said my boyfriend’s gay, but what does it matter anyway? He hasn’t come out of the closet yet; ‘til then, I’ll take all I can get.”

“I wanna be a nun, so I can marry a priest and we’ll have a baby and call it Jesus.”

“Pat Robertson once said it’s a long downward slide that will lead to legalizing sex with ducks. God, I hope he’s right!”

“Where do I look when someone’s serenading me? I look him in the eyes and it feels really awkward. He plays guitar as well as me—and that’s not saying much.”

“I used to dream that I would marry a guy that looked like Charlie Sheen, and he would have a name like Gary.”

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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executive playlist

Obama Loves AgesAndAges!

After his latest performance of “Let’s Stay Together,” the president launches into “No Nostalgia” (sensing a theme?)

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Okay, we can’t actually confirm the headline. But we do know that someone on the Obama campaign is a fan, because AgesAndAges’s “No Nostalgia” just made the cut of the 29 songs his re-election campaign will play at rallies, speeches, and other events. They’re alongside legends like Bruce Springsteen, Aretha Franklin, and, of course, Al Green, along with arena acts like U2 and No Doubt. They’ll be lifting the moods and serving the hope to millions of American’s of all types and stripes, which is crazy big news for Portland’s charming champions of folk harmonies and hand claps.

“No Nostalgia,” eh, Mr. President? Not even just a little for your 2008 campaign? Guess we just have to Stand Up, Raise Up, and Keep on Pushing, because it’s gonna get Even Better Than The Real Thing (you can see a complete list and listen to all the songs at The Wall Street Journal).

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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green zone

Peter Halley’s Neon Installation Will Tickle Your Brain

At Disjecta through Feb. 25

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Photo credit: Jake Richardson

The geometric cells and conduits of Peter Halley’s installation, “Prison,” at Disjecta buzz with a seeming kinetic energy. Covering the walls of the 3000 square foot gallery and glowing green from neon paint and stage lighting, the layered boxes with their tight parallel lines play with the eye, shimmering and shifting, coming in and out of focus. Though it’s only a laser print on wallpaper, there is an incredible sense of depth that’s constantly oscillating and that, combined with the rushing sound of the forced air system, creates a perpetual sense of motion no matter where you stand.

Given the way the installation toys with perception, I had to ask Halley if our deepening understanding of how the brain processes images plays any role in his work. “I have always been interested in the psychology of perception and new developments in the understanding of the neurobiology of the brain,” said the New York-based painter, printmaker, and writer. “At Disjecta, the perceptual ideas are pretty straightforward. The prison images slowly get larger as they go from the side walls to the middle wall—creating a perspective effect and making the room seem even bigger than it is.”

With solo shows at the likes of MOMA and work in the collections of museums such as the Tate, Whitney, and Guggenheim, Halley is an impressive close to Disjecta’s already impressive 2011-2012 Curator-in-Residence season. “Prison” is a continuation of his exploration of visual and architectural systems—this time wedding “geometry of the social” with “the mall-level transcendence of saturated fluorescent color.” It’s his first solo installation in the Northwest and one of his grandest anywhere. Make sure to catch it before it closes on Feb. 25.

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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kimo-know

Slideshow + Review:
Madame Butterfly

Portland Opera premieres Puccini’s melodramatic, lovelorn gut-wrencher.

summary by Anne Adams, review by Aaron Scott

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©Portland Opera/Cory Weaver

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©Portland Opera/Cory Weaver

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©Portland Opera/Cory Weaver

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©Portland Opera/Cory Weaver

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©Portland Opera/Cory Weaver

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©Portland Opera/Cory Weaver

Summary

Poor Cio-Cio-San. First she falls for the fickle charms of US Naval Officer Pinkerton, even forsaking her family’s religion, Buddhism, to make herself a more suitable bride to the Westerner. When her handsome blonde boyfriend departs for America, she faithfully roosts in their lovenest awaiting his return, never suspecting that he intends to leave her in the lurch. Against the sunset-hued backdrop of pre-World War Nagasaki, Butterfly gradually realizes she’s been had and succumbs to her shame, eventually committing hara-kiri, a ritualistic Japanese suicide. The nickname Pinkerton has given her, “Butterfly,” becomes an overt metaphor for their relationship: He, the butterfly collector, is compelled to capture a thing of beauty and pin it to a board—nevermind that in the process, he’s stabbing the fragile creature in the heart.

Madame Butterfly opened last weekend at the Keller.
Click through the attached slide show to see Kelly Kaduce’s kimono-clad performance, or read on for Aaron Scott’s review.
—AA
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Review

Those who imagine opera as stationary fat ladies singing will be delightfully surprised by the level of acting in Portland Opera’s production of_ Madame Butterfly. _Kelly Kaduce’s performance as Butterfly is wonderful, as she shifts from the delight of a newly wed, to the self-delusional defiance of a righteous teenager when others say Pinkerton won’t return (one must remember she’s only 15 at the start), to her attempt at steadfast strength leading up to her honor suicide. And her soprano is clear and gorgeous, her song imagining Pinkerton’s return earning a roiling applause and an irrepressible shout of ‘Bravo!’ from the balcony.

Other highlights include John Hancock as Sharpless, the kind American consul left to clean up Pinkerton’s mess, and Kathryn Day as Suzuki, the protective, plodding maid, who expertly expresses the pathos of her character’s own tragedy: spending three years watching Butterfly cling to her dream, the whole while knowing the truth that Pinkerton will not return. And of course, an almost audible ‘awww’ seeps from the audience every time 3-year-old Finnegan Grab with his mop of brown hair runs onstage as Butterfly’s son (it’s a rare thing indeed to have a child actor the age of the actual character, and it lends a certain magic).

Clocking in at nearly three and a half hours, Madame Butterfly’s length creates almost a shared experiential empathy on the part of the audience: we sit an hour for every year she waits for Pinkerton. There’s a patience presumed that most contemporary plays and movies wouldn’t dare, particularly in the final movement of the second act, when Butterfly, her son, and Suzuki wait silently for Pinkerton, backs to the audience, the only action on stage for a number of minutes being the slowly changing quality of light as night falls (and the splendor of the lighting design on the artfully made set is action enough). But if you can channel Butterfly’s patience, the heart-wrenching beauty of her final song is certainly worth the wait. *
—AS*

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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irish ditty

The Decemberists Collaborate with the Chieftains

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The Decemberists kick up their heels for a frolicking collaboration with Irish folk legends the Chieftains on Bob Dylan’s “When The Ship Comes In.” The cover appears on Voice of Ages, an album celebrating the 50th anniversary of the Chieftains, alongside team-ups with artists like Bon Iver, Civil Wars, Pistol Annies, Punch Brothers, Carolina Chocolate Drops, and Low Anthem.

“It’s not often you are called to collaborate with one of the world’s foremost innovators and influencers in folk music, or any music for that matter,” Colin Meloy told Rolling Stone. “I mean, the Chieftains have almost single-handedly defined Irish traditional music for the last 50 years.”

Visit Rolling Stone to hear the song, or watch Chieftains bandleader Paddy Moloney give the Decemberists and Portland some love (along with some of the other bands) in the video below:



For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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gallery grazing

First Thursday Sampler

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Sculpture + watercolor

Mel Katz’s Anodized Aluminum and Henk Pander’s Worlds Apart at Laura Russo Gallery

Katz, one of Portland’s best-known sculptors for over 40 years, imparts his latest exhibition of large aluminum pieces with his trademark use of vivid colors and odd, organic shapes. In Worlds Apart, Pander, another veteran local artist, unveils his uncanny plein-air watercolors depicting somber expressionist landscapes.



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Prints

David Hockney at Augen Gallery

British Printmaker Hockney has been compared to artists like Jasper Johns and Andy Warhol. This collection features etchings, screenprints, and lithographs from a career that spanned 1965 to 1998, when Hockney left conventional media printmaking to focus on digital and traditional painting.




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Sculpture

Joe Thurston’s Nothing Leading Anywhere Anymore Except to Nothing at Elizabeth Leach

Having established himself as as one of the Northwest’s most versatile painters, from portraiture to gestural abstraction, Thurston is leaving the two dimensional behind, and his shift to sculpture promises to be monumental. His rugged, monolithic containers will take over the gallery and possibly invade the viewer’s space as well—mentally, if not physically.



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Big art explosion

The 100 Show at Wieden+Kennedy

Never short on good ideas, the folks at W+K asked hundreds of artists to submit a 10”x 10” piece of art with no restrictions on medium, with the plan of displaying them in the building’s gallery and pricing each at $100, of which half will be donated to MercyCorps and half will go to the artist. Apparently even less short on friends, they’ve received over 900 pieces from local and international artists, photographers, illustrators, painters, and more. Seems the only thing they are going to be short on is wall space. (Or you can shop online.)



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Smaller art explosion

Deadstock at Compound Gallery

If 900 pieces of affordable art strike you as a little overwhelming, but you still want to support a good cause, head to Compound for Deadstock. Referencing the retail term for merchandise that does not leave the shelves or the warehouse, the show invites artists to dust off some of their disregarded products and works—their surpluses of creativity, if you will—with part of the proceeds going to the Right Brain Initiative program of the Regional Art and Culture Council.



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Math paint + found objects

Xylor Jane and B. Wurtz at PNCA’s Feldman Gallery & Project Space

This two-artist show emphasizes the simplicity and sublimity of their artistic process. Jane utilizes mathematical algorithms as a basis for her intricate paintings on wood panels, while Wurtz adopts mundane found objects like string, socks, buttons, household implements, and plastic bags in his sculptural assemblages.



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Meditations on mail

Clouds Inclose Comets: The Envelope at PDX Contemporary Art

Naysayers warn about the death of posted mail (and granted, post offices are closing), but the envelope still pervades our lives and will continue for a long time to come. In this group show, a variety of skilled artists riff on the unlimited potential forms and functions of the envelope.



The First Thursday art walk is a monthly event held by an assortment of galleries in Portland’s Pearl District. For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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bedroom sleuthing

Sex Talks + 5 Questions for Arianne Cohen

Hate Valentine’s? Go to these three talks to learn to love love again (or at least sex). Plus, the author of The Sex Diaries Project talks with us about how Portlanders differ in their erotic and romantic proclivities.

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Monday, Feb 6 offers a choice between the science of love and gushy radio stories about love that will 100-percent-for-certain make you blubber like a well-cherished babe:

As part of OMSI’s beloved Science Pub lecture series, past pub favorite and OHSU biologist Larry Sherman delves into the chemicals in your brain that drive the compulsion we call love in his talk, “Lust, Chocolate and Prairie Voles: The Neuroscience of Pleasure and Love,” at the Bagdad Theater at 7.
– or –
At Powell’s, Dave Isay, the founder and guiding voice of NPR’s crazy popular Friday morning tearjerker StoryCorps, shares stories of the heart from his new book, All There Is: Love Stories from StoryCorps. He normally plays his favorite excerpts from the thousands of oral histories they’ve recorded, making his talks some of the most emotionally gripping around. I promise you will cry. I’ve seen it before; it’s like he’s a King Midas for happy tears.

If you’re interested in the steamier side of things, then head to Powell’s on Wednesday, Feb. 8 at 7:30 for NYC transplant Arianne Cohen’s talk about her new book, The Sex Diaries Project: What We’re Saying about What We’re Doing. She’s spent several years compiling diaries about sex from a wide range of people—young and old, gay and straight, married and celibate, prudish and slutty, and everything in between. Along the way, she’s teased out some bigger themes and surprises. While we like to consider ourselves objective, dispassionate journalists, we couldn’t help but be a little intrigued:

How did you get started on the Sex Diaries Project?
It was a bit of a fluke. I wrote a cover story for New York Magazine in 2007 on New York City sex diaries, and the response was so good that it became a weekly online column of diaries. I soon realized that what I was reading was not what I had expected. What many people are actually doing in their private lives is wildly different from our culture’s rom-com sense of monogamous coupledom. So I began expanding outside of NYC, and commissioning wide and far.

What was it like to become a real life Carrie Bradshaw?
I won’t lie: it rocked. I found myself on every sexy invite list one would hope to be on. It was a great way to get an education. I did the column until 2010, when I moved to Portland.

What sort of patterns have emerged as you’ve compiled these diaries?
Lots. I think the thing that surprised me most was the realization that couples are like little two-person companies. Some make widgets; others provide customer service. And it goes much better for all involved if everyone understands what kind of company they’re in. The book outlines the three main types of couples I found, and the pros and cons of each.

What do you think your readers will find most surprising as they peek into others’ private lives?
I think there’s this idea that everyone is either in a long-term relationship, or looking to be in a long-term relationship. And when you read the diaries, that’s not what you find. At any one time, people are doing lots of different things—there’s a whole world of ways you can live out your private life. There are no rules.

You’ve been in Portland for two years now. How do sex and relationships differ in Portland from other places?
There’s more kombucha, and less f-word dropping. Here diarists talk about “their process” and “the connection” and "growth.” When I first started reading them, I’d read entire entries and have no idea what the diarist was talking about.

And breakup behavior here is very different. In New York City, diarists would leave relationships on horrible terms, doing things like screaming “fuck you” and then never really see each other again. Here, diarists know they’re going to bump into each other for the rest of time, and thus really go out of their way to avoid drama. Sometimes that means avoiding the discussion altogether, and just smoothing it over. It’s not altruism—it’s self-protection from future nausea.

We love to think of ourselves as unique, progressive, and sustainable. Does that extend into the bedroom?
Emphasis on sustainable. There’s a large population of people here who change partners every year or two for decades on end. Whether that’s progressive or not depends on your point of view.

What’s next for the SDP?
I’m doing a college tour this fall, Sex Diaries Project on Campus, having students keep anonymous diaries beforehand, and parsing out precisely what’s going on in their bubble. I can’t wait. And I’m developing a TV show based on the concept, which is very fun. Please feel free to come keep your own diary, or read other peoples’ diaries, at sexdiariesproject.com!

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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