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phile under: TBA 2010

TBA 2010: Japanther vs. Night Shade

Shady punk-rock antics warm up The Works and kick off TBA.

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Japanther
Photo: Courtesy of PICA

Japanther’s subtle symbolism says, “suck it.”

They started strong, with spooky sound-effects and intricate silhouette images. Within the first few seconds, we saw haunted houses, hooded graffiti artists, and a morphing man-panther. Moments later, security concerns cast a wan light on Night Shade’s performance. Several house lights, presumably switched on to provide fire safety to a capacity crowd, effectively dimmed the impact of the stage’s shadow-play, even as a seemingly bad live sound mix dulled Japanther’s musical moxy.

Still, the following images surfaced in the warped melange, while Japanther kept time with their thudding aggro punk:

  • girl licking giant ice cream cone, then giant lollipop
  • eel, jellyfish, octopus (or squid?)
  • giant monster squid ravaging a building, and possibly a suspension bridge
  • graveyard
  • bust of Swedish playwright August Strindberg
  • stained-glass window
  • Chinese-style demon,
  • monster truck with a chainsaw-wielding passenger
  • motel sign
  • giant claw attacking Japanther while they played
  • several words, including “Wolfenswan” and “juice”
  • an Escher-esque group of eyes morphing into a school of fish
  • a many-armed man in a bowler hat and beard
  • a wolf mask on the drummer
  • angel wings on the bassist

Between songs, the band cued snarky samples and made defiant declarations into a megaphone, like:

“I don’t give a f*ck if we make it; I’m living in the moment.”
(while playing a Sinead O’connor sample) “We are confident in the victory. F*ck the Catholic church.”
and, most triumphantly, “Live your own f*cking life and be yourself. This is what we’re doing; we’re being ourselves.”

Eventually, they revealed those selves, tearing through the screen that had obscured them, inviting more musicians onto the stage, and launching into, frankly, a better-sounding second set. The crowd rushed the stage, now lit with a star-sprinkled backdrop, and began a hopping impromptu dance party. And with that, kids, TBA at The Works has officially been broken in.

For more information on TBA events, visit PICA. A more comprehensive list of upcoming events can be found at our Arts & Entertainment Calendar.

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Tags: performance, music, Live, Live, puppet, TBA, TBA 2010, The Works

phile under: theater

Puppet Slam +
Double Theater Feature

Two wildly entertaining nights at Someday Lounge.

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Toad

This toad entreats you on bended knee, to give Puppet Slam a chance.

Come, now, what masques, what dance shall we have, to wear away this long age of three hours between our after-supper and bed-time? What revels are in hand? What music? How shall we beguile the lazy time, if not with some delight?
–The Duke, A Midsummer Night’s Dream

The above quote, delivered by a Shakespeare character who languishes in a toga and summons and dispatches amusements with a hand-wave, could be just as aptly spoken by you tonight or tomorrow at Someday Lounge, which will trot out not one, not two, but THREE theatrical spectacles to regale Your Grace, culminating in a giant-toad-hosted Puppet Slam. Last weekend, puppeteers presented a preview vid, featuring 20-odd puppets in an epic singalong to Klaatu’s “Calling Occupants Of Interplanetary Craft,” proving not only the puppets’ cuteness, but their hipness to stellar retro B-sides.

Prior to the puppet chicanery (and sold separately) are two original comedy plays–-one a beach-kitsch noir, and the other a vampire rom-com—-which Culturephile caught last weekend. Click here to read a review, or just take our word: they’re far more solid than they sound. So, unfurl your toga on a Someday Lounge chair, and let the revels and diversions parade past. It’s the next best thing to being hand-fed grapes.


The performance of Beach Blanket Beyond and Alba The Vampire starts at 7:30, and Puppet Slam starts at 10pm. For a more comprehensive list of upcoming events, visit the Arts & Entertainment Calendar!

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Tags: Theater, kitsch, vampire, puppet, comics,

phile under: quality time-frittering

Local Music Videos

Eye and ear candy, to placate your Monday stupor.

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Happy Monday. How much coffee have you had? Enough to track the tricks of this impressive local yo-yo-thrower? Set to the equally dexterous and energetic Hoop + Wire by Portland’s own Boy Eats Drum Machine, Clifton B. proves he’s “just swift enough.”


I know what you’re saying. Those were some radical yo-yo moves, man, but where is the actual wire that the song title implies? Oddly enough, it’s wound its way around Little Beirut’s “Last Light,” which features intricately detailed stop-motion-animated sequences, conceived by band-members who daylight as LAIKA talent.


Culturephile can’t help but wish they’d stuck with the stop-mo motif for the whole piece, despite the art form’s notorious time-consumption. (See Culturephile coverage of Fred, by Misha Klein and Billygoat’s Dioscuri.) But, with an upcoming album release for the band, we suppose the show must go on.

Finally, the following piece, recently released by Portland Cello Project, features marionette puppetry in a scale set, and then not-to-scale live locations. Telling the tragic tale of a displaced shrimp in a big cruel world, this short points up the gulf-pollution crisis in a poignant, accessible way.

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Tags: Portland Art, music, Film, Animation, LAIKA, video, puppet

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