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CULTUREPHILE: PORTLAND ARTS

Posts tagged with: classical

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culture cheat-sheet

Pinchas Zukerman Plays Schumann

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In this vintage clip, Oregon Symphony ’s next guest proves himself a master of rubato, gently tugging the tempo faster and slower to imbue the violin melody with a voice-like expressiveness. The Schumann piece itself vascillates unpredictably between major and minor, conjuring the emotional complexity that defines the “romantic” genre: sweet-yet-painful pangs of longing, reveries of remembrance, and swoons of surrender. Zukerman will play a Schumann piece this weekend, as well as works by Haydn, Tchaikovsky, and Rossini. Resistance is futile; go ahead and get swept away.

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Tags: music, Oregon Symphony, classical, symphony

an upnote

Oregon Symphony’s In The Black

The Symphony releases a new recording and encouraging financial news.

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The Oregon Symphony’s Board of Directors approved audited financial statements for the year ending June 30, 2011 which show that the season produced a net surplus of $192,000. The financial results mirrored the artistic accomplishments of the 2010/11 season, the eighth under the musical direction of Carlos Kalmar. As President Elaine Calder noted, “The Oregon Symphony finished its 115th season with both an artistic and a financial surplus. It was an extraordinary year and one that feels like a real turning point. For the second year in a row revenues have exceeded expenses, despite the additional cost of taking the orchestra to New York’s Spring for Music festival and making a recording of Carnegie program." The program, Music for a Time of War , which included Ives’ The Unanswered Question, Adams’ The Wound Dresser, Britten’s Sinfonia da Requiem and Vaughan Williams’ Symphony No. 4, was recorded on the PentaTone label and released last week.

The 2010/11 season, director Carlos Kalmar’s eighth, included a variety of work: Prangcharoen’s Phenomenon, Bolcom’s Violin Concerto, Sibelius’ The Oceanides, and Dalbavie’s Color were premiered, and balanced with audience favorites like Beethoven’s Eroica and Pastoral symphonies, Rachmaninoff’s 3rd Piano Concerto, and Tchaikovsky’s Violin Concerto. The lineup of international guest artists included cellist Yo-Yo Ma (returning for the first time in 12 years), pianist Lang Lang, and violinists Hilary Hahn and James Ehnes, both making long overdue Portland debuts.

These artistic highlights drove financial numbers that were extremely encouraging, especially during these challenging economic times. Ticket revenue of $5.7 million was up 5% over the previous year with a 6% increase in the number of tickets sold (130,530). Contributed income of $7.4 million was down slightly year over year by 5%, attributable primarily to the effects of the recession on endowment returns and fewer bequests. Combined revenue of $14,089,554 and expenses of $13,897,386 yielded an annual surplus of $192,168. This surplus marks the second consecutive season that the Symphony has posted positive year-end financial results.

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Tags: Oregon Symphony, classical, symphony

pioneer square

Pink Martini’s Populist Rally

The cocktail crowd, the church groups, and the hoi polloi converge to talk policy in Portland’s living room.

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The name “Pink Martini” doesn’t exactly evoke the proletariat, and there’s no denying that Portland’s world-class cocktail band has long been welcomed into the graces of the moneyed elite, headlining Carnegie Hall, the Governor’s Ball, and MoMA, just to name a few. But as tension between haves and have-nots continues its nationwide groundswell, even those who sing for their supper are feeling compelled to pick a side. Belting barn-burners like “I Will Survive” and “Nine To Five,” as well as more patriotic fare like “America The Beautiful” and the event’s title song, “This Land Is Your Land,” Storm Large and Thomas Lauderdale led an Occupy Wall Street–inspired populist charge alongside members of the symphony* and Portland Gay Men’s Chorus, and a panel of civic and religious leaders.

As the first sing-along ebbed, Rabbi Emmanuel Rose began the conversation gently, consoling “a fractured, disheartened nation” and indicting those who dismiss the Occupy movement as a phase, those who decry and weaken America’s most compassionate institutions like social security and medicare, and advocates of corporate personhood. “If a corporation is a person, it’s a heartless person,” he said. “There’s a heartlessness that’s breaking the American spirit.” PDX Occupation organizer Carrie Medina tried to clarify the objectives of Occupy, saying, “we’re characterized as a leaderless movement, but we’re actually a movement of leaders. We need a system where greed is no longer rewarded, where profits are no longer prioritized over people. Join us.”

Imam Mikal Shabazz didn’t shy away from an intense characterization of the nation’s current circumstances: “We used to sing ‘We Shall Overcome,’ but now we stand in Pioneer Square admitting that we’ve been overcome. We’ve been bought and sold. We’re chattel, a product, a bottom line now.” After admonishing the crowd to think for themselves and make the right consumer decisions, he closed with an endearingly informal, “Peace be with you, I’ve got to roll.”

“Americans watch too many movies,” said AFL-CIO president Tom Chamberlain. “We’re always waiting for an elected official to come in on a white horse and save us. But Lincoln didn’t end slavery. Woodrow Wilson didn’t give women the right to vote. All great movements begin with the people. They may have all the money—but we’ve got all the people!”

Congressman Peter Defazio announced his, and Congressman Earl Blumenauer’s, “solidarity with Occupy Wall Street,” and admitted, “This movement has energized us. We can no longer tolerate privatized profits, with socialized losses.” He expressed high regard for Massachusetts senatorial candidate Elizabeth Warren and vowed that he and Blumenauer would fight to end the Bush tax cuts and impose new taxes on speculative Wall Street investment. The crowd cheered as he promised “No more ‘too big to fail.’” Blumenauer was greeted less warmly. As he attempted an opening joke about his and Lauderdale’s matching bow ties, an angry down-front group shook an oversized picture of his head and attempted to shout him down. Large stepped up and silenced them. “We disagree on a lot of issues,” Blumenauer admitted, “but we agree that it’s time to stop the war against the middle class.” Suggesting that activists continue to make conscious buying and banking choices, he claimed “Portland can be a beacon, and we need it now more than ever.”

*Since the Oregon Symphony sent a flood of PR memos to explicitly disassociate their organization from this rally, Large and Lauderdale referred to their members only as “excellent musicians you might be able to see at The Schnitz sometime.”

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Tags: classical, symphony

culture cheat-sheet

Gomyo Plays Beethoven

Oregon Symphony’s upcoming guest has a coveted instrument and laudable credentials.

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Karen Gomyo: The face of a model, and the touch of a maestro.

Is there such a thing as a “violin model?” If so, the casual observer might mistake Oregon Symphony’s next featured soloist, Karen Gomyo, for one. With her mahogany hair and refined features, she looks like a violin personified—but it’s no mere pose. The Tokyo native has played her genuine Stradivarius alongside the New York, Los Angeles, and Hong Kong Philharmonics; the Cleveland, Philadelphia, and Minnesota Orchestras; the San Francisco, Saint Louis, Cincinnati, Dallas, Houston, Montreal, Toronto, Vancouver, and Tokyo Symphonies; and the National Symphony of Washington, D.C!

[Pause for breath.]

In Europe, she’s performed with the City of Birmingham Symphony Orchestra, the Royal Scottish National Orchestra, Orchestre National de Lille, Scottish Chamber Orchestra, the Royal Liverpool Philharmonic, Bergen Philharmonic, Norwegian Opera Orchestra, Norköpping Symphony and Den Haag Residentie Orkest.

Her experience being plenty to recommend her, we still suggest that you perk your ears to her artistry in the following too-short clip of a prior performance of Beethoven’s violin concerto, in which Gomyo coaxes a lively, high melody from her nimble Strad.

For more about Portland arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Tags: music, Oregon Symphony, classical, symphony

culture cheat-sheet

Grieg + Lauderdale

Oregon Symphony’s lineup for the weekend features an iconic pianist and a classic piece.

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I’m thinking of something that’s timeless and brilliant, that’s scheduled to appear with Oregon Symphony this weekend. What is it?

If you answered either “Grieg’s Piano Concerto” or “Pink Martini’s Frontman Thomas Lauderdale,” you’re correct. In case you’re not familiar with either or both, Culturephile has pulled together some video for reference.

Here’s venerated pianist Arthur Rubenstein performing the Concerto:

… and here’s Portland’s own Lauderdale, taking time between gigs to show off his favorite spots around town. If he brings his signature charm and verve to the Symphony stage, ticketholders should be in for a treat.

For more upcoming arts events, visit PoMo’s Arts & Entertainment Calendar, stream content with an RSS feed, or sign up for our weekly On The Town Newsletter!

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Tags: music, Oregon Symphony, classical, symphony, preview

phile under: music

Oregon Symphony
Kicks Off Season Outdoors

Al Fresco concert promises a sparkly season-start.

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The Oregon Symphony will look totally different in daylight!

Ballet dancers! Fireworks! The bombast of brass and the swoon of strings! Two conductors! Musical homages to Paris, Vienna, Rome, St. Petersburg and New York! All for free. Tonight, at 7pm, wander your lucky spoiled self over to Tom McCall Waterfront Park to see it. Or arrive at five to catch the Portland Youth Philharmonic and claim a close-in spot, from which you might get a glimpse of Jun Iwasaki, concertmaster and Fall Arts Package featuree.


Culturephile can only feature a few First Thursday picks, but for a more comprehensive list of upcoming events, visit the Arts & Entertainment Calendar!

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Tags: Southwest Portland, music, Outdoor Fun, Live, outdoors, Oregon Symphony, classical, Russian, symphony

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