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CULTUREPHILE: PORTLAND ARTS

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phile under: TBA 2010

TBA: In The Works!

Setup for TBA 2010 gets underway.

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Graffiti artists have already contributed their own “time-based art” to this PICA shipping container.

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Graffiti artists have already contributed their own “time-based art” to this PICA shipping container.

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Wait, that’s not a box—it’s an office!

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They’re dressed mostly in black. Roadies, anarchists, or theater types?

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Take a sidelong glance at this banner. Ignore the boarded windows.

For 350-odd days of the calendar year, the Washington High School building sits blank and boarded. All the ground-level windows are blocked by sheets of plywood, and all the exterior alcoves are walled in by chain-link fencing. “What are they doing with that place?” murmur nearby residents, and the neighborhood dog-walkers and soccer players who use the school’s surrounding lawn.

Enter PICA, aka the Portland Institute for Contemporary Art. For a few days of the waning summer, PICA’s preparing to bring the defunct edifice to life. The signs are already popping up: trucks pulling onto the lawn; seeming staff, dressed uniformly in black, ushering in cargo. A big black banner now adorns the brick building’s west wall, and a corrugated steel shipping crate landed a couple weeks ago at the northwest corner, tags in-tact and bearing a deceptively industrial paint job emblazoned with the letters “TBA.” The innocuous box suddenly opened as a ticket-selling office. (A “box office.” Get it? Oh, clever, clever PICA.)

PICA’s Time Based Art festival (TBA), a ten-day sensory overload featuring a carefully curated pastiche of mostly modern and post-modern performance art, traditionally establishes a home base it refers to as “The Works.” The name equally evokes art-museum jargon and hamburger-stand slang—oddly appropriate considering TBA’s simultaneous prestige and irreverence. Throughout the years, various locations have been christened “The Works,” from Pearl-area warehouse spaces, to Eastside industrial, bridge-hugging hideaways. But last year and this, The Washington High School Building on SE 14th and Stark has held the honors, hosting banquets, talks, concerts, and dance performances, and generally establishing a hub for hobnobbing.

Portland Culturephile has planned comprehensive TBA coverage. Details are forthcoming. But meanwhile, the Washington High School building has begun its second-annual magical transformation: from pile of bricks, to piece of work.


For a more comprehensive list of upcoming events, visit the Arts & Entertainment Calendar!

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Tags: Architecture, landmark, TBA, TBA 2010, PICA, The Works

phile under: landmark

“Hung Far Low” Sign Returns!

Classic Chinese gaff is back.

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Prepare once again to get stuck at this corner, behind people taking pictures.

The iconic, unforgettable placard reading, “Hung Far Low,” is scheduled to be re-hung in Chinatown today! If you’re not already elbowing your way around Tom McCall Waterfront Park for a better view of the Symphony, you might swing by NW 4th Avenue and NW Couch Street for the sign’s dedication ceremony. The 200-lb sign, which lorded over its neighborhood location from 1928 to 2005, serving as a conversation piece, a landmark, and a testament to Chinese-American history, was eventually removed for safety reasons—but area tenants lobbied hard for its return.

By the way, “Hung Far Low,” in Taisan dialect, means “Almond Blossom Fragrance.” So stop snickering.


Culturephile can only feature a few First Thursday picks, but for a more comprehensive list of upcoming events, visit the Arts & Entertainment Calendar!

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Tags: First Thursday, Architecture, heritage, history

phile under: art

Avantika Bawa’s yesterday. Yellow

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yesterday. Yellow. Avantika Bawa

Opening tonight with a reception from 6-9 PM is a new installation, yesterday. Yellow, by current Milepost 5 (900 NE 81st) artist-in-residence Avantika Bawa (Atlanta/New Dehli). The artist uses “fragmented debris from foreclosed properties, abandoned spaces and close out sales” to “construct a landscape where the commonplace is glorified,” reinventing “the mundane, the forgotten, and the foreclosed.”

We’ve seen Bawa’s spare, architectural installations in Portland at Tilt Gallery and Project Space and recently as part of the Vantage show at Clark College, dealing with in part, as she puts it, “my relationship to the legacy of Minimalism and its emphasis on reductive form, modularity and literal scale.”

And artist and curator, Avantika Bawa is based in Atlanta, Georgia and New Delhi, India. She has an MFA in Painting from the School of the Art Institute of Chicago (1998) and a BFA in the same from the Maharaja Sayajirao University of Baroda, India (1995) and has shown internationally with solo shows at Saltworks gallery, the Atlanta Contemporary Arts Center, Lalit Kala Academy in New Delhi, India, and in Mumbai at Gallery Maskara this past November.

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Tags: Art, Architecture

phile under: photography

8xPDX

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Brian Libby, Southeast 11th

Architecture writer and filmmaker Brian Libby has curated 8 x PDX: Photographs of Portland Architecture, opening First Thursday with a reception from 5:30-8:30 PM at the American Institute of Architects/Portland Chapterʼs Center For Architecture (403 NW 11th). The show features work by eight Portland photographers including Jeremy Bitterman, Jeff Jahn, Chris Hornbecker, Shawn Records, Susan Seubert, Sally Schoolmaster, Michael Weeks, and Libby.

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Tags: Photography, Architecture

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