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Rock the Clubs

Wonderful Words

Your new favorite band

Blows1

From Words to Blows: Your favorite band in six months—trust me.

Just a hastily scribbled note about last night’s a-rock-a-lyptic show at Plan B. I was floored by From Words to Blows, the new band fronted by longtime Portland sideman—and jolly good fellow—Jesse Emerson (Amelia, Flatirons), augmented by the beguiling Susannah Weaver (she who is known as Little Sue) on bass and support vocals, and by rad keyboardist Jenny Conlee who earns her primary paycheck with those wacky Decemberists.

I blogged about them last June at their first show (sans Conlee) and was duly impressed. But last night’s performance was jaw-dropping. I honestly can’t remember being that absorbed by a band (local or touring) in a long, long time. What I appreciate the most about From Words to Blows is its inventiveness; the ability to pull surprises out of a well-worn rock ‘n’ roll hat. Emerson has kind of a downbeat, blue-collar glam persona, like David Bowie slumming with a bar band. Weaver’s harmony vocals are sweetly doomed country, while Conlee’s organ fills add a ’70s hot-buttered soul groove that covers everything like syrup on a short stack. And amazingly enough, all these elements snap together with Lego efficiency into something truly heroic. I was hanging on every note.

The show was free and there were only about 25 people present at Plan B, the amiable punk rock bar located smack-dab in the middle of the inner Southeast industrial hub. A damn shame. I hope you all enjoyed a killer episode of Project Runway, because this was a night I won’t soon forget.

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Tags: Night Life, PDX bands

Rock the Clubs

Dirty Water Dudes

Standells celebrate at East End

Could it be a coincidence? In my experience there’s no such animal. Last weekend’s e. coli scare, meet this weekend’s “Dirty Water”.

Ultra-groovy rock club the East End is celebrating its second anniversary all week, culminating with a Saturday night concert starring the Standells. This ‘60s combo is best known for its hit, “Dirty Water,” which has become a Boston Red Sox anthem (despite the band being from Los Angeles), but they’ve got a ton of killer tunes including “Sometimes Good Guys Don’t Wear White” and the little ditty featured below, which was the title track to one of the greatest films of the 20th century.

Full disclosure: My band, Mr. Howl, is on the bill, but we’re merely the chips and salsa before the coming of the big enchilada.

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Tags: Night Life, PDX bands

Reading and Drinking

Las Vegas Lit

Book release for local lass is a sizzling soiree

Books

Magic Gardens is the name of Viva Las Vegas’s memoirs, and it refers to the infamous Old Town strip joint of the same name.

View Slideshow » Photo: Kerosene Rose

Magic Gardens is the name of Viva Las Vegas’s memoirs, and it refers to the infamous Old Town strip joint of the same name.

View Slideshow » Photo: Kerosene Rose

Emcee Tres Shannon of Voodoo Doughnuts fame, and poet Walt Curtis, a collaborator of Gus Van Sant’s, were just two of the famous faces in this crowd.

View Slideshow » Photo: Kerosene Rose

Hey ladies! Writer and rock fan Pennie Lane (left) shares the stage with the gal of the hour, Viva Las Vegas. Lane was the subject of the Cameron Crowe film Almost Famous where she was portrayed by Kate Hudson.

View Slideshow » Photo: Kerosene Rose

The dancer’s name is Ruby and she can usually be found working the stages at Mary’s Club and Lucky Devil Lounge.

View Slideshow » Photo: Kerosene Rose

Industrial tape artist and dancer Mona Superhero favored the crowd with some prose and poses.

View Slideshow » Photo: Kerosene Rose

A veritable sea of fans clustered around the stage with bouquets for Ms. Las Vegas

View Slideshow » Photo: Kerosene Rose

Burlesque legend Lucy Fur flew in from Los Angeles to make the scene and shimmy the night away.

View Slideshow » Photo: Kerosene Rose

Tylor H. Neist from the Red Sneaker Chamber Players gathers cash for the dancers, as well as discarded underthings. It’s a thankless job, but someone’s got to do it.

View Slideshow » Photo: Kerosene Rose

Nikita the fire dancer proved to be one of the hottest acts on the bill.

View Slideshow » Photo: Kerosene Rose

Dancer Charlotte Treuse loses her legging during a provocative number.

View Slideshow » Photo: Kerosene Rose

Singer, actress, playwright, and famous femme Storm Large shares a laugh with dancer Malice, who can be seen at Sassy’s, Devil’s Point, and in the James Westby film, The Auteur.

View Slideshow » Photo: Kerosene Rose

Let’s rock! Time to put down the book and pick up the mike. Viva Las Vegas smolders on stage with her band Coco Cobra and the Killers.

Richard Meltzer (author, poet, Blue Oyster Cult songwriter): What are you doing here?

Me: I’m covering Viva’s party for the society pages.

Richard Meltzer: Hmmmph. Some society.

It was a very Portland cross-section of humanity—musicians, poets, strippers, and sundry riff-raff including myself—that crammed itself into Dante’s last Tuesday night. The occasion was the book release party for Magic Gardens, the spicy memoirs of stripper, writer, rocker, bartender, and cancer survivor Viva Las Vegas, a name that should be familiar to Portland Monthly readers for her recent entry in the pages of this very periodical. Most everyone present (except me, apparently) was dressed in old Hollywood-style finery, showing off in glittery gowns and crisply-pressed suits.

Like I said, the place was jammed and the wait for a drink tested my usual Job-like patience to the snapping point. But emcee Tres Shannon, the world’s most distinguished doughnut entrepreneur, kept up a lively stream of patter, introducing local notables like Storm Large, Pennie Lane, Courtney Taylor-Taylor, and Walt Curtis to the stage to read racy passages from Magic Gardens. There was also a performance by Viva’s ripping rock band Coco Cobra and the Killers, and a bevy of beauteous dancers, including the legendary Lucy Fur, tantalized us to distraction, which went a long way toward easing the pain from the eternal drink lines.

Take a gander at our web-exclusive slideshow of this auspicious event, shot by photographer Kerosene Rose.

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Tags: Slideshow, Night Life

Rock the Clubs

Forever Fresh

I never knew I was a Young Fresh Fellow before.

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Young Fresh Fellows rip it up at Dante’s.

Below, From Words to Blows casts its spell.

For me, going out to a rock show means looking straight into the cruel, bottomless eye sockets of death. Yes, I know I’m being a melodramatic wuss.

See, I don’t go out much anymore. Covering the local music milieu for more than a dozen years has taken its toll on both my hearing and my patience, and these days my love of rock ‘n’ roll is mostly platonic. If I’m seeing an up-and-coming band, I am invariably the oldest duffer in the room, except for the odd parent or two. Being reminded of your dwindling vitality is a drag, and having to get jacked on Pepsi to stay alert wreaks havoc on my stomach. If I’m seeing an old standby, I’ll run into people I’ve known forever, but they’ll be out the door early because they have to get the sitter home. Or, more likely, they’ve become broken-down shells of their formerly dynamic selves. I put myself in this category. Hand me my shawl and help me into my rocking chair, won’t you, young fellow?

But a blazing set by the Young Fresh Fellows at Dante’s, part of a lethal triple-threat lineup last Saturday, was invigorating. I felt like Don friggin’ Ameche in Cocoon or something. I may even have danced, but that part could have been a dream.

It’s such a bonus to get three worthy bands at one show. Nothing kills an evening’s momentum more than having to sit through an endless set by some no-talent friends of the doorman who managed to weasel their way onto the bill. And can we agree that four bands on one bill is too many? Good.

It was a pleasure seeing From Words to Blows, the new group led by Jesse Emerson, a cool guy who’s patiently stood in the background playing bass for bands such as the Flatirons and Amelia. Now he’s got a guitar and a whole string of songs that fly out of him like subtle, puzzling pop darts that always hit their target. Still trying to come up with a decent style description. Can music be dark, pensive, and fun? Apparently. The lovely Susannah Weaver (aka Little Sue) plays bass and sweetly sings backup, and Steve Drizos from Jerry Joseph and the Jackmormons hits the drums like they owe him money. Normally the two of them would be joined by Decemberists’ keyboardist Jenny Conlee, but she’s currently on tour making loads and loads of cash.

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From Words to Blows casts its spell.

The Tripwires, fronted by Jon Ramberg, are an enviably catchy group that sound like Squeeze or Elvis Costello with just a hint of roots-rock toughness baked into the crust.

As for the headliners, if you’ve never seen the Young Fresh Fellows live, you are truly bereft. Showering the crowd with everything from loony power pop to rude riffage, and showing no signs of decrepitude after 25 years of servitude to the dark gods, this wily ensemble boasts a four-star songwriter in Scott McCaughey, who’s usually busy with his primary band the Minus 5. Bassist Jim Sangster (also a member of the Tripwires) bounces on the bottom end, pushed along by one of my favorite manic (maniac?) drummers, Tad Hutchison, who likes to tell corny jokes like, “Hey Scott! Did you hear I got laid off from my job at the orange juice factory? They said I couldn’t concentrate!” Lead guitarist Kurt Bloch is not only a primo songwriter in his own right, he can also play Queen’s “Brighton Rock” note for note. Mixing YFF staples such as “My Friend Ringo,” “Taco Wagon,” and “I Don’t Let the Little Things Get Me Down,” with zesty material off their brand-new release I Think This Is, this quartet of geezers my own age, entirely satisfied with modest achievements and a terrific repertoire of songs, relentlessly kicked ass and jumped around like grasshoppers on a griddle. It did my old baboon heart a world of good.

Hell, I’m getting the band back together! Look out world! Never mind the Metamucil!

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Tags: Night Life, PDX bands, Music

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