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Local Hero

Regular Joe

Sacco draws on his experiences

By Robert Runyon

Thefixer_spread
Illustration: Joe Sacco

Sacco hikes alone across desolate and war-torn Sarajevo to meet Neven, the title character from The Fixer.

View Slideshow » Illustration: Joe Sacco

The first few panels of “Rockin’ Rose City,” a comic strip for Willamette Week, where Sacco satirized the burgeoning Portland music scene in the aftermath of the grunge explosion from Seattle. Who doesn’t love jokes about Satyricon? It continues in the next picture.

View Slideshow » Illustration: Joe Sacco

“Rockin’ Rose City” continues as Joe goes through the Portland scene.

View Slideshow » Illustration: Joe Sacco

This bit, taken from But I Like It, has Sacco in the midst of a tour through Europe with his friend Gerry Mohr’s band, the Miracle Workers. Here, Sacco freaks out at his lack of success with the local women compared to that of the band.

View Slideshow » Illustration: Joe Sacco

Sacco spent two years living in Berlin making rock posters that ended up plastered all over underpasses and walls around Germany. During this period he could get into any Berlin club he wanted without paying. “I seriously considered changing my name to ‘Joe Plus One,’” says Sacco in But I Like It.

View Slideshow » Illustration: Joe Sacco

This page, taken from Notes From a Defeatist, details some of the harrowing experiences suffered by Sacco’s mother on Malta during World War II, as the Italians air raided the island.

View Slideshow » Illustration: Joe Sacco

The top detail of “More Women, More Children, More Quickly,” featuring a quote from former British Prime Minister Stanley Baldwin.

View Slideshow » Illustration: Joe Sacco

In Safe Area Gorazde, Edin, the book’s protagonist, attempts to defend his town from Serbian tanks on their way toward the city.

View Slideshow » Illustration: Joe Sacco

Palestine Sacco’s breakthrough book, originally was released as a limited comic series of nine issues before it reached its greatest success as a collection in the form of a graphic novel. These full-color pictures were the covers of each issue.

View Slideshow » Illustration: Joe Sacco

In this sequence from Palestine, Sacco rides with representatives from the United Nations Relief and Works Agency through a Palestinian refugee camp, showing three slices of life in the Gaza Strip.

View Slideshow » Illustration: Joe Sacco

Sacco is introduced to the geography of Sarajevo before checking in at the Holiday Inn where he meets with Neven in The Fixer.

View Slideshow » Illustration: Joe Sacco

This excerpt from the profile “Soba,” depicts the title character (far to the right, next to the speaker) holding court in a Sarajevo rock club, after spending time in the military disarming mines.

View Slideshow » Illustration: Joe Sacco

This chaotic page is from Sacco’s newest work, Footnotes in Gaza. Here, men try to make their way into a school in Rafah as Israeli soldiers bludgeon them.

View Slideshow » Illustration: Joe Sacco

A close-up detail of Sacco’s artwork in Footnotes in Gaza.

View Slideshow » Illustration: Joe Sacco

A slice of life from Footnotes in Gaza.

View Slideshow » Illustration: Joe Sacco

This page from Footnotes in Gaza illustrates what Sacco does best, finding humor wherever he goes while still remaining empathetic to his subjects.

From his early work with short-lived local magazine the Portland Permanent Press, to his formative travels after college, including following Portland rock band the Miracle Workers around Europe, making their posters and selling their merch, to his status as a vanguard of comics journalism with genre classics such as Palestine and Safe Area Gorazde, Joe Sacco has made a name for himself. His art is pitch-perfect (see pages 12 and 13 of The Fixer shown above) and his uncanny ability recreate situations, both ones he’s been in, and ones he’s only heard about is nothing short of remarkable. In a few black and white panels, he captures the phoniness of LA at the beginning of the ’90s, the continuing hardship of life in Palestine, and the horrors of Bosnian war zones. All of these pieces are united by Sacco’s wry humor and his observational presence in the frame, at first a caricature among caricatures, but later the lone cartoon in well-rendered slices of life. He gives big-issue stories a human face, whether he’s talking to a family whose olive trees were chopped down by Israelis or getting begged by local girls from an ethnically cleansed war zone to bring them back some American jeans.

In addition to our Portland Monthly Q&A in anticipation of his newest piece of comics journalism, Footnotes in Gaza, here’s our web-exclusive retrospective slideshow from some of Sacco’s most notable works.

Thanks for reading!

 

Published: December 2009

 

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